Joseph Bologne, Chevalier de Saint-Georges, Czech Philharmonic Chamber Orchestra, Michael Halasz made "Symphony in G Major, Op. 11 No. 1: III. Allegro assai" available on September 24, 2021. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Saint-Georges: Orchestral Works". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Hong Kong. Symphony in G Major, Op. 11 No. 1: III. Allegro assai is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Symphony in G Major, Op. 11 No. 1: III. Allegro assai by Joseph Bologne, Chevalier de Saint-Georges, Czech Philharmonic Chamber Orchestra, Michael Halasz having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trumpet Concerto No. 2 in E-Flat Major: I. Allegro ma moderatamente | Johann Wilhelm Hertel, Czech Philharmonic Chamber Orchestra, Petr Skvor, Miroslav Kejmar | E♭ Major | 1 | 5B | 117 BPM | ||
Serenade No. 1 in D Major, Op. 11: IVa. Menuetto I | Johannes Brahms, Gävle Symphony Orchestra, Jaime Martin | B♭ Minor | 0 | 3A | 60 BPM | ||
Piano Concerto No.5 in Eb Major, Op. 73 "Emperor": II. Adagio un Poco Mosso | Ludwig van Beethoven, Philharmonia Orchestra, Emil Gilels, Leopold Ludwig | E♭ Major | 2 | 5B | 129 BPM | ||
Le maçon, S. 13 (Excerpts): Entr'acte to Act III | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | G Major | 0 | 9B | 95 BPM | ||
Symphony in G Major, Op. 11 No. 1: III. Allegro assai | Joseph Bologne, Chevalier de Saint-Georges, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Major | 1 | 9B | 75 BPM | ||
Die Spanier in Peru, oder Rollas Tod, Act I: Ouverture | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | G Major | 0 | 9B | 123 BPM | ||
Hamburg Symphony No. 1 in G Major, Wq. 182: II. Poco adagio | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Serenade for Strings in E Major, Op. 22: IV. Larghetto | Antonín Dvořák, Czech Philharmonic Chamber Orchestra, Petr Nouzovský, Stanislav Vavřínek | E Major | 1 | 12B | 77 BPM | ||
Sinfonia in B-Flat Major, Badley Bb1: III. Vivace | Leopold Hofmann, Northern Chamber Orchestra, Nicholas Ward | F Major | 1 | 7B | 130 BPM | ||
Concerto in E Major, S 49, WoO 1: II. Andante | Johann Nepomuck Hummel, Rex Richardson, Classic FM Radio Orchestra, Grigor Palikarov | E Minor | 0 | 9A | 180 BPM |
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