Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec's 'Die Spanier in Peru, oder Rollas Tod, Act I: Ouverture' came out on July 28, 2023. Die Spanier in Peru, oder Rollas Tod, Act I: Ouverture is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. This song is part of Wranitzky: Orchestral Works, Vol. 6 by Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec. The song's track number on the album is #1 out of 15 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Based on our statistics, Die Spanier in Peru, oder Rollas Tod, Act I: Ouverture's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Die Spanier in Peru, oder Rollas Tod, Act I: Ouverture by Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec has a tempo of 123 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Die Spanier in Peru, oder Rollas Tod, Act I: Ouverture being at 123 BPM, the half-time would be 62 BPM with a double-time of 246 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schwedische Tanze (Swedish Dances) Suite No. 1, Op. 63: VIII. Vivace | Max Bruch, South West German Radio Kaiserslautern Orchestra, Werner Andreas Albert | G Major | 2 | 9B | 87 BPM | ||
Concerto for Clarinet No. 2 in E-Flat Major, Op. 74: I. Allegro | Carl Maria von Weber, Alberto Lizzio, North German Philharmonic Orchestra, Alexander Ivanov | A Major | 2 | 11B | 80 BPM | ||
A Midsummer Night's Dream, Op. 61: No. 11, "Ein Tanz von Rübeln". Allegro di molto | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Katharina Konradi, Sophia Burgos | E Major | 1 | 12B | 72 BPM | ||
Sinfonia Concertante in B-Flat Major, Hob.I:105: II. Andante | Joseph Haydn, Andrius Puskunigis, Michael Kaulartz, Woitek Garbowski, Pirkko Langer, Heidelberg Symphony Orchestra, Thomas Fey | F Major | 0 | 7B | 136 BPM | ||
Mysliveček: Ezio: Overture - I. Allegro con spirito | Josef Mysliveček, Vaclav Luks | G Major | 1 | 9B | 137 BPM | ||
Clarinet Concerto in A: Third Movement | Various Artists | G Minor | 2 | 6A | 137 BPM | ||
Concerto in E Major, S 49, WoO 1: II. Andante | Johann Nepomuck Hummel, Rex Richardson, Classic FM Radio Orchestra, Grigor Palikarov | E Minor | 0 | 9A | 180 BPM | ||
Proserpine: Overture in D Major: I. Allegro spiritoso | Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | D Major | 3 | 10B | 140 BPM | ||
Hamburg Symphony No. 6 in E Major, Wq. 182: I. Allegro di molto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
6 Quartetto concertans, No. 1 in B-Flat Major: II. Gratioso | Joseph Bologne, Chevalier de Saint-Georges, Arabella Quartet | B♭ Major | 1 | 6B | 90 BPM |
Section: 0.669102668762207
End: 0.6741635799407959