Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz made "Hamburg Symphony No. 6 in E Major, Wq. 182: I. Allegro di molto" available on April 5, 2024. The duration of Hamburg Symphony No. 6 in E Major, Wq. 182: I. Allegro di molto is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Hamburg Symphony No. 6 in E Major, Wq. 182: I. Allegro di molto's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz's "Instrumental Theatre of Affects" album is number 16 out of 22. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Hamburg Symphony No. 6 in E Major, Wq. 182: I. Allegro di molto's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Hamburg Symphony No. 6 in E Major, Wq. 182: I. Allegro di molto by Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Marriage of Figaro: Overture | Michael Maxwell | D Major | 2 | 10B | 137 BPM | ||
Symphonie concertante in D Major, "Mirza": I. Allegro | Francois-Joseph Gossec, Martin Sandhoff, Andrea Keller, Concerto Köln | D Major | 1 | 10B | 161 BPM | ||
Sinfonia concertante in F Major, Op. 38: III. Adagio | Franz Krommer, Orchestra della Svizzera Italiana, Howard Griffiths, Bruno Grossi, Marco Schiavon, Robert Kowalski | B♭ Major | 1 | 6B | 177 BPM | ||
Rondo in E Major, H. 265 | Carl Philipp Emanuel Bach, Marc-André Hamelin | F♯ Minor | 0 | 11A | 69 BPM | ||
交響曲 第36番 「リンツ」 K.425~第2楽章 | リボル・ペシェック, Czech National Symphony Orchestra | C Major | 0 | 8B | 92 BPM | ||
Le Carnaval du Parnasse: Ouverture | Jean-Joseph Cassanéa De Mondonville, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | F Minor | 4 | 4A | 141 BPM | ||
6 Nocturnes, Op. 186: No. 2, Allegretto, ma un poco vivo | Johann Wenzel Kalliwoda, Hiyoli Togawa, Lilit Grigoryan | C Major | 2 | 8B | 96 BPM | ||
Emma, ou la promesse imprudente, S. 6 (Excerpts): Entr'acte to Act III | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 0 | 10B | 96 BPM | ||
Symphony No. 85 in B-Flat Major, Hob. I:85, "La Reine": II. Romance. Allegretto | Joseph Haydn, Kammerorchester Basel, Giovanni Antonini | G Major | 3 | 9B | 78 BPM | ||
Der Fischer und das Milchmädchen: VI. Air de Chassé par Écho | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM |
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