Francois-Joseph Gossec, Martin Sandhoff, Andrea Keller, Concerto Köln's 'Symphonie concertante in D Major, "Mirza": I. Allegro' came out on January 1, 2003. With Symphonie concertante in D Major, "Mirza": I. Allegro being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Francois-Joseph Gossec, Concerto Köln's "Gossec, F.-J.: Symphony, Op. 6, No. 3 / La Chasse / Mirza / Symphonie A 17 Parties" album is number 8 out of 14. The popularity of Symphonie concertante in D Major, "Mirza": I. Allegro is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Symphonie concertante in D Major, "Mirza": I. Allegro by Francois-Joseph Gossec, Martin Sandhoff, Andrea Keller, Concerto Köln to be Vivace (lively and fast) because the track has a tempo of 161 BPM, a half-time of 80BPM, and a double-time of 322 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Armida: Sinfonia | Antonio Salieri, Les Talens Lyriques, Christophe Rousset | G Major | 1 | 9B | 61 BPM | ||
Symphony in D Major, Op. 2 No. 5 "St. Cecilia's Day Ode": II. Tempo di gavotta | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 101 BPM | ||
Simphonie à 6, RH 177: II. Andante | Francois-Joseph Gossec, Mathieu Lussier, Les Jacobins | B♭ Major | 2 | 6B | 125 BPM | ||
Prelude & Fugue in D Major (Well-Tempered Clavier, Book I, No. 5), BWV 850: II. Fugue | Johann Sebastian Bach, Víkingur Ólafsson | D Major | 2 | 10B | 130 BPM | ||
Bach, JS: Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Adagio & III. Allegro | Johann Sebastian Bach, Alison Bury, Orchestra of the Age of Enlightenment | F♯ Major | 6 | 2B | 127 BPM | ||
Petals | Sam Anning, Andrea Keller, Shannon Barnett | B Minor | 1 | 10A | 114 BPM | ||
Keyboard Sonata in D Major, Op. 5 No. 2, W. A2: I. Allegro di molto | Johann Christian Bach, Rachel Heard | A Major | 3 | 11B | 143 BPM | ||
Serenade for Winds in D Minor, Op. 44: I. Moderato, quasi Marcia | Antonín Dvořák, Czech Philharmonic Chamber Orchestra, Vahan Mardirossian | D Minor | 1 | 7A | 101 BPM | ||
Symphonie a grand ochestre in D Major, Op. 13, No. 3, "La Chasse": I. Grave maestoso - Allegro | Francois-Joseph Gossec, Concerto Köln | A Major | 1 | 11B | 117 BPM | ||
Symphony No. 5 In B Flat, D.485: I. Allegro | Franz Schubert, Wiener Philharmoniker, Karl Böhm | C Major | 1 | 8B | 106 BPM |
Section: 0.6845259666442871
End: 0.6884562969207764