"Serenade No. 1 in D Major, Op. 11: IVa. Menuetto I" by Johannes Brahms, Gävle Symphony Orchestra, Jaime Martin was released on March 17, 2017. With Serenade No. 1 in D Major, Op. 11: IVa. Menuetto I being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 13 in Brahms: Serenades Nos. 1 & 2 by Johannes Brahms, Gävle Symphony Orchestra, Jaime Martin. Going off of the ISRC code of this track, we detected that the origin of this track is from Finland. Serenade No. 1 in D Major, Op. 11: IVa. Menuetto I is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Serenade No. 1 in D Major, Op. 11: IVa. Menuetto I by Johannes Brahms, Gävle Symphony Orchestra, Jaime Martin is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Octet in B-Flat Major: II. Adagio | Max Bruch, Zsolt Fejervari, Kodály Quartet, Auer String Quartet | A Minor | 3 | 8A | 136 BPM | ||
String Quartet No. 1 In D Major, Op. 11, TH.111: 1. Moderato e semplice | Pyotr Ilyich Tchaikovsky, Emerson String Quartet | D♭ Major | 1 | 3B | 149 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | F♯ Minor | 0 | 11A | 84 BPM | ||
Cello Concerto No. 1 in G Major: III. Rondo: Allegro | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | G Major | 1 | 9B | 137 BPM | ||
Viola Concerto No. 1 in D Major: I. Allegro | Carl Stamitz, Hariolf Schlichtig, Munich Chamber Orchestra | A Major | 1 | 11B | 128 BPM | ||
Symphony No. 3 in D Major, Op. 29, TH 26, "Polish": II. Alla tedesca. Allegro moderato e semplice | Pyotr Ilyich Tchaikovsky, Mariss Jansons, Oslo Philharmonic Orchestra | G Minor | 1 | 6A | 105 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
Symphony No. 3 in E flat, Op. 97 - "Rhenish": 3. Nicht schnell | Robert Schumann, Los Angeles Philharmonic, Carlo Maria Giulini | A♭ Major | 0 | 4B | 83 BPM | ||
Bach, JS: Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affettuoso | Johann Sebastian Bach, Elizabeth Wallfisch, Lisa Beznosiuk, Malcolm Proud, Orchestra of the Age of Enlightenment | B♭ Minor | 0 | 3A | 135 BPM | ||
Violin Sonata No. 3 in D Minor, Op. 108: Allegro | Johannes Brahms, Ilya Kaler, Alexander Peskanov | D Minor | 1 | 7A | 87 BPM |
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