"Bach, JS: Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affettuoso" by Johann Sebastian Bach, Elizabeth Wallfisch, Lisa Beznosiuk, Malcolm Proud, Orchestra of the Age of Enlightenment was released on January 1, 1989. Bach, JS: Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affettuoso is about six minutes long, preciously at 6:14, making this song fairly long compared to other songs. The song is number 5 out of 18 in Bach: Brandenburg Concertos by Johann Sebastian Bach, Orchestra of the Age of Enlightenment/Monica Huggett/Elizabeth Wallfisch/Catherine Mackintosh/Alison Bury, Orchestra of the Age of Enlightenment. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Bach, JS: Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affettuoso's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JS: Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affettuoso by Johann Sebastian Bach, Elizabeth Wallfisch, Lisa Beznosiuk, Malcolm Proud, Orchestra of the Age of Enlightenment is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Kinderszenen, Op.15: 2. Kuriose Geschichte | Robert Schumann, Martha Argerich | D Major | 0 | 10B | 66 BPM | ||
Trio Sonata for Flute, Violin and Continuo in B minor, Op.2, No. 1, HWV 386b: 3. Largo | George Frideric Handel, Lisa Beznosiuk, Simon Standage, Anthony Pleeth, Trevor Pinnock | D♭ Major | 0 | 3B | 99 BPM | ||
Flute Sonata in C Major, BWV 1033: II. Allegro | Johann Sebastian Bach, Petri Alanko, Jukka Rautasalo | G Minor | 5 | 6A | 120 BPM | ||
Concerto a 5 In D Minor, Op.9, No.2 For Oboe, Strings And Continuo: 2. Adagio | Tomaso Albinoni, David Reichenberg, The English Concert, Trevor Pinnock | A Major | 1 | 11B | 68 BPM | ||
La Secchia rapita / Act 2: Son qual lacera tartana | Antonio Salieri, Cecilia Bartoli, Andrea Perugi, Orchestra of the Age of Enlightenment, Ádám Fischer | D Major | 4 | 10B | 119 BPM | ||
Trio Sonata for Flute, Violin and Continuo in B minor, Op.2, No. 1, HWV 386b: 1. Andante - Adagio | George Frideric Handel, Lisa Beznosiuk, Simon Standage, Anthony Pleeth, Trevor Pinnock | B♭ Minor | 0 | 3A | 86 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Oboe Concerto No. 3 in G Minor, HWV 287: III. Sarabande: Largo | George Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas Ward | B♭ Major | 0 | 6B | 85 BPM | ||
Kinderszenen, Op.15: 5. Glückes genug | Robert Schumann, Martha Argerich | G Major | 1 | 9B | 88 BPM |
Section: 0.7204036712646484
End: 0.7249844074249268