Antonio Salieri, Cecilia Bartoli, Andrea Perugi, Orchestra of the Age of Enlightenment, Ádám Fischer's 'La Secchia rapita / Act 2: Son qual lacera tartana' came out on January 1, 2003. The duration of La Secchia rapita / Act 2: Son qual lacera tartana is about 3 minutes long, at 3:08. Based on our data, "La Secchia rapita / Act 2: Son qual lacera tartana" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 13 in Cecilia Bartoli: The Salieri Album by Antonio Salieri, Cecilia Bartoli, Orchestra of the Age of Enlightenment, Ádám Fischer. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, La Secchia rapita / Act 2: Son qual lacera tartana is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of La Secchia rapita / Act 2: Son qual lacera tartana by Antonio Salieri, Cecilia Bartoli, Andrea Perugi, Orchestra of the Age of Enlightenment, Ádám Fischer is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia "Il girono onomastico": IV. Allegretto e sempre l'istesso tempo | Antonio Salieri, Matthias Bamert, London Mozart Players | B♭ Major | 3 | 6B | 70 BPM | ||
Requiem in C Minor: Agnus Dei - Communio | Antonio Salieri, Lawrence Foster, Orquestra Gulbenkian, Coro Gulbenkian, Adam Zdunikowski, Luis Rodrigues | B♭ Major | 1 | 6B | 75 BPM | ||
Proserpine: Overture in D Major: III. Allegro | Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | D Major | 5 | 10B | 99 BPM | ||
Concerto No. 4 in G major, BWV 1049: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester | F Major | 2 | 7B | 99 BPM | ||
Hungarian Dance No.4 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 2 | 11A | 80 BPM | ||
Symphony in C Major, Op. 1, No. 6, (Callen 6): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 143 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | F Major | 3 | 7B | 164 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Concerto In The Italian Style, BWV 971, "Italian Concerto": I. (Allegro) | Janos Sebestyen, Johann Sebastian Bach | F Major | 3 | 7B | 105 BPM | ||
Andante e Rondo ungarese, Op. 35, J. 158 | Carl Maria von Weber, Matthias Rácz, North West German Philharmonic Orchestra, Johannes Klumpp | C Major | 1 | 8B | 85 BPM |
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