What is the BPM for The Banshee by Henry Cowell?

The tempo for The Banshee is 69 beats per a minute with a half-time of 34 BPM and a double-time of 138 BPM.

What is the music key for The Banshee by Henry Cowell?

The music key for The Banshee is C Major or a camelot key of 8B.

The Banshee - Henry Cowell Information

Acousticness: 21%
Danceability: 19%
Energy: 19%
Instrumentalness: 42%
Liveness: 16%
Loudness: 66%
Speechiness: 5%
Valence: 8%
Popularity: 0%
Loudness: -20.586 dB

Summary

"The Banshee" by Henry Cowell was released on April 26, 2010. The duration of The Banshee is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. The Banshee's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 26 in An Anthology Of Noise & Electronic Music, Vol. 6 by Various Artists. The Banshee is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Banshee BPM

The tempo marking of The Banshee by Henry Cowell is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.

The Banshee Key

This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Nocturnes, L. 91: 3. Sirènes	Claude Debussy, Berliner Philharmoniker, Claudio Abbado, Rundfunkchor Berlin, Robin Gritton	F♯ Major	1	2B	93 BPM
Quatuor pour la fin du Temps: I. Liturgie de cristal	Olivier Messiaen, Martin Fröst	F Minor	0	4A	100 BPM
Party Pieces: No. 11, —	John Cage, Henry Cowell, Lou Harrison, Virgil Thomson, Ulrich Krieger	G Major	0	9B	68 BPM
Mégalithes, Version 3: II. 5-2 - III. 97	Gérard Grisey, Brynjar Kolbergsrud, Anne Marit Harbek, Benjamin Setsaas, Abel Pérez Armas, Thomas Gimse, Erlend Tynning Larsen, Nicolai Heuer, Marie Nøkleby Hanssen, Runa Eid Hermansen, Halvor Ovenstrøm, Erlend Aagaard-Nilsen, Jørgen Arnesen, Marie Solum Gran, Ingebjørg Bruket, Berger Iver Færder, Halldis Rønning	A Minor	1	8A	122 BPM
The Bloody Man Steps into the Abyss	Nexhagus	E♭ Major	0	5B	59 BPM
4 Kleine Stücke: I. Timoroso	Franz Schreker, Staatsphilharmonie Rheinland-Pfalz, Christopher Ward	D Major	1	10B	89 BPM
Aeon	Fred Hersch	G Minor	0	6A	67 BPM
Suite for Piano, Op. 25: I. Präludium	Arnold Schoenberg, Glenn Gould	B♭ Major	2	6B	105 BPM
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Ages. Variation II	Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia	G Major	2	9B	113 BPM
In Nomine (2001) for bass flute, english horn, clarinet, piano, vibraphone, violin, viola and Violoncello	Georg Friedrich Haas, Ensemble Recherche	G Minor	0	6A	127 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7325398921966553

End: 0.7369697093963623