Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia made "Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Ages. Variation II" available on August 10, 2018. With Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Ages. Variation II being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 32 in Bernstein: Symphonies Nos 1-3, Prelude, Fugue & Riffs by Leonard Bernstein, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Ages. Variation II is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Ages. Variation II by Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Dance Episodes from Rodeo: II. Corral Nocturne | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 92 BPM | ||
Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo (Allegro) - Live | Ludwig van Beethoven, Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | C Minor | 2 | 5A | 114 BPM | ||
Variations: Piano Alone | John Harbison, Daniel Blumenthal, Janine Jansen, Lars Wouters van den Oudenweijer, Spectrum Concerts Berlin | E Major | 2 | 12B | 68 BPM | ||
Intermezzos, Op. 117: No. 1 in E-Flat Major. Andante moderato | Johannes Brahms, Garrick Ohlsson | A♭ Major | 0 | 4B | 138 BPM | ||
Preludio de Sofía | José María Vitier, Carlos Manuel Vargas | A Major | 1 | 11B | 69 BPM | ||
Variations on a Theme of Chopin, Op. 22: Var. 11 in E-Flat Major. Lento | Sergei Rachmaninoff, Piers Lane | C Major | 1 | 8B | 68 BPM | ||
3 Preludes: No. 2, Con moto | Alexei Stanchinsky, Peter Jablonski | A♭ Minor | 0 | 1A | 62 BPM | ||
Pini di Roma (The Pines of Rome): II. Pini presso una catacomba | Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Minor | 0 | 9A | 109 BPM | ||
Piano Quintet in E-Flat Major, Op. 44: I. Allegro brillante | Robert Schumann, Peter Donohoe, Sacconi Quartet | B♭ Major | 2 | 6B | 120 BPM | ||
24 Preludes, Op. 28: No. 18 in F Minor, Allegro molto | Frédéric Chopin, Hsiang Tu | D♭ Major | 0 | 3B | 99 BPM |
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