Nocturnes, L. 91: 3. Sirènes - Claude Debussy, Berliner Philharmoniker, Claudio Abbado, Rundfunkchor Berlin, Robin Gritton Information

Acousticness: 96%
Danceability: 11%
Energy: 7%
Instrumentalness: 97%
Liveness: 10%
Loudness: 59%
Speechiness: 4%
Valence: 3%
Popularity: 16%
Loudness: -24.89 dB

Summary

"Nocturnes, L. 91: 3. Sirènes" by Claude Debussy, Berliner Philharmoniker, Claudio Abbado, Rundfunkchor Berlin, Robin Gritton was released on January 1, 2001. Since Nocturnes, L. 91: 3. Sirènes is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 8 in Debussy: Prélude à l'aprés-midi d'un faune; Trois Nocturnes; Pelléas et Mélisande Suite by Claude Debussy, Berliner Philharmoniker, Claudio Abbado. In terms of popularity, Nocturnes, L. 91: 3. Sirènes is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Nocturnes, L. 91: 3. Sirènes BPM

The tempo marking of Nocturnes, L. 91: 3. Sirènes by Claude Debussy, Berliner Philharmoniker, Claudio Abbado, Rundfunkchor Berlin, Robin Gritton is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.

Nocturnes, L. 91: 3. Sirènes Key

F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Mozart: Clarinet Concerto in A Major, K. 622: I. Allegro	Wolfgang Amadeus Mozart, Sabine Meyer, Claudio Abbado, Berliner Philharmoniker	A Major	1	11B	131 BPM
Holberg Suite, Op. 40: IV. Air (Andante religioso)	Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi	B♭ Major	0	6B	86 BPM
Stabat Mater: 3. O quam tristis	Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson	G Minor	1	6A	80 BPM
Die Schöpfung Hob. XXI:2 / Erster Teil: Einleitung - Rezitativ und Chor: "Im Anfange"	Franz Joseph Haydn, Gösta Winbergh, Kurt Moll, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist	A♭ Major	0	4B	80 BPM
The Tempest, Op. 18, TH 44	Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Claudio Abbado	D♭ Major	1	3B	77 BPM
Symphony No.9 In D / 1. Satz: Andante comodo	Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan	D Major	1	10B	172 BPM
Also sprach Zarathustra, Op. 30, TrV 176: Prelude (Sonnenaufgang)	Richard Strauss, Berliner Philharmoniker, Herbert von Karajan	C Major	3	8B	77 BPM
Scheherazade: The Sea & Sinbad's Ship	Nikolai Rimsky-Korsakov, Joakim Svenheden	E Major	1	12B	82 BPM
Louange à l'Éternité de Jésus (From "Quartet for the End of Time")	Olivier Messiaen, Yo-Yo Ma, Kathryn Stott	E Major	0	12B	83 BPM
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace	Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis	G Major	1	9B	130 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.8606863021850586

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