- BPM
- 86
- Key
- C Minor
- Camelot
- 5A
Lucia di Lammermoor / Act 2: "Piange la madre estinta" - Gaetano Donizetti, Montserrat Caballé, José Carreras, Claes-Håkon Ahnsjö, Vincenzo Sardinero, Samuel Ramey, New Philharmonia Orchestra, Jesús López-Cobos Information
- Acousticness
- 92%
- Danceability
- 29%
- Energy
- 9%
- Instrumentalness
- 1%
- Liveness
- 19%
- Loudness
- 62%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 1%
- Loudness
- -22.923 dB
Summary
"Lucia di Lammermoor / Act 2: "Piange la madre estinta"" by Gaetano Donizetti, Montserrat Caballé, José Carreras, Claes-Håkon Ahnsjö, Vincenzo Sardinero, Samuel Ramey, New Philharmonia Orchestra, Jesús López-Cobos was released on January 1, 2002. The duration of Lucia di Lammermoor / Act 2: "Piange la madre estinta" is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Lucia di Lammermoor / Act 2: "Piange la madre estinta"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 37 in Donizetti: Lucia di Lammermoor by Gaetano Donizetti, Montserrat Caballé, José Carreras, Samuel Ramey, New Philharmonia Orchestra, Jesús López-Cobos. Lucia di Lammermoor / Act 2: "Piange la madre estinta" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Lucia di Lammermoor / Act 2: "Piange la madre estinta" BPM
The tempo marking of Lucia di Lammermoor / Act 2: "Piange la madre estinta" by Gaetano Donizetti, Montserrat Caballé, José Carreras, Claes-Håkon Ahnsjö, Vincenzo Sardinero, Samuel Ramey, New Philharmonia Orchestra, Jesús López-Cobos is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
Lucia di Lammermoor / Act 2: "Piange la madre estinta" Key
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | |
 | Puccini: La bohème, Act I: "Che gelida manina!" | Giacomo Puccini, Giuseppe Di Stefano, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano | A♭ Major | 1 | 4B | 86 BPM | |
 | Il Barbiere di Siviglia (1996 Digital Remaster): Se il mio nome saper voi bramate (Conte/Rosina/Figaro) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | C Major | 1 | 8B | 116 BPM | |
 | Serse / Act 1, HWV 40: "Ombra mai fu" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 175 BPM | |
 | Strauss, Johann II: Die Fledermaus, Act 2: "Mein Herr Marquis" (Adele) | Johann Strauss II, Diana Damrau, David Charles Abell, Karl Huffier, Royal Liverpool Philharmonic Orchestra | G Major | 3 | 9B | 73 BPM | |
 | O tu che in seno agli Angeli | Mario del Monaco | D Major | 2 | 10B | 93 BPM | |
 | La Sonnanbula - Prendi, l'anel ti dono | Vincenzo Bellini, Roberto Alagna, Evelino Pidò, London Philharmonic Orchestra | A♭ Major | 1 | 4B | 82 BPM | |
 | Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM | |
 | Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | |
 | Bizet: Carmen, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès) | Georges Bizet, Maria Callas, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris | C Major | 2 | 8B | 138 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.118678092956543
End: 1.123060941696167