Sonata For Viola And Piano No. 4, Op.11: 3. Finale mit Variationen - Paul Hindemith, Kim Kashkashian, Robert Levin Information

Acousticness: 98%
Danceability: 31%
Energy: 4%
Instrumentalness: 43%
Liveness: 12%
Loudness: 58%
Speechiness: 4%
Valence: 10%
Popularity: 6%
Loudness: -25.18 dB

Summary

"Sonata For Viola And Piano No. 4, Op.11: 3. Finale mit Variationen" by Paul Hindemith, Kim Kashkashian, Robert Levin was released on April 25, 1988. Sonata For Viola And Piano No. 4, Op.11: 3. Finale mit Variationen appears to be safe for all ages as it is not explicit. The track order of this song in Paul Hindemith, Kim Kashkashian, Robert Levin's "Hindemith: Sonatas For Viola Alone / Piano And Viola Alone" album is number 3 out of 24. In terms of popularity, Sonata For Viola And Piano No. 4, Op.11: 3. Finale mit Variationen is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Sonata For Viola And Piano No. 4, Op.11: 3. Finale mit Variationen BPM

We consider the tempo marking of Sonata For Viola And Piano No. 4, Op.11: 3. Finale mit Variationen by Paul Hindemith, Kim Kashkashian, Robert Levin to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Sonata For Viola And Piano No. 4, Op.11: 3. Finale mit Variationen Key

This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo	Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim	A Minor	2	8A	113 BPM
Piano Concerto No. 1 in C Minor, Op. 33: I. Allegro	Nikolai Medtner, Neeme Järvi, London Philharmonic Orchestra, Geoffrey Tozer	G Major	2	9B	90 BPM
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro	Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich	B♭ Major	3	6B	160 BPM
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento	Dmitri Shostakovich, Boris Giltburg, Rhys Owens, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko	C Major	0	8B	72 BPM
Schoenberg: 6 Little Piano Pieces, Op. 19: No. 1 Leicht, zart	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra	A Minor	0	8A	69 BPM
Don Quixote, Op. 35, TrV 184: Finale: Don Quixotes Tod	Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock	D Major	0	10B	83 BPM
Das Lied von der Erde: Das Trinklied vom Jammer der Erde	Gustav Mahler, Michael Schade, Wiener Philharmoniker, Pierre Boulez	G Minor	2	6A	78 BPM
Symphony No. 4: IV. Sehr behaglich	Gustav Mahler, Berliner Philharmoniker, Yannick Nézet-Séguin, Christiane Karg	E Minor	1	9A	80 BPM
Pictures at an Exhibition (Orch. Ravel): I. Gnomus	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	E Major	1	12B	60 BPM
Le tombeau de Couperin, M. 68: III. Menuet	Maurice Ravel, Cleveland Orchestra, Pierre Boulez	G Major	0	9B	84 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7014167308807373

End: 0.706132173538208