- BPM
- 83
- Key
- D♭ Major
- Camelot
- 3B
Mass in B Minor, BWV 232: Quoniam tu solus Sanctus (Bass) - Johann Sebastian Bach, David Shipley, English Baroque Soloists, John Eliot Gardiner Information
- Acousticness
- 99%
- Danceability
- 45%
- Energy
- 14%
- Instrumentalness
- 1%
- Liveness
- 11%
- Loudness
- 65%
- Speechiness
- 4%
- Valence
- 64%
- Popularity
- 16%
- Loudness
- -21.174 dB
Summary
Johann Sebastian Bach, David Shipley, English Baroque Soloists, John Eliot Gardiner made "Mass in B Minor, BWV 232: Quoniam tu solus Sanctus (Bass)" available on November 6, 2015. With this song being about 5 minutes long, at 4:34, "Mass in B Minor, BWV 232: Quoniam tu solus Sanctus (Bass)" by Johann Sebastian Bach, David Shipley, English Baroque Soloists, John Eliot Gardiner is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner's "J.S. Bach: Mass in B Minor, BWV 232" album is number 10 out of 25. On top of that, United Kingdom appears to be the country where this track was created. Mass in B Minor, BWV 232: Quoniam tu solus Sanctus (Bass) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Mass in B Minor, BWV 232: Quoniam tu solus Sanctus (Bass) BPM
We consider the tempo marking of Mass in B Minor, BWV 232: Quoniam tu solus Sanctus (Bass) by Johann Sebastian Bach, David Shipley, English Baroque Soloists, John Eliot Gardiner to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Mass in B Minor, BWV 232: Quoniam tu solus Sanctus (Bass) Key
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 96 BPM | |
 | I. Christ Lag In Todes Banden BWV 4, 6. Aria (Basso) (Versus V): Hier Ist Das Rechte Osterlamm | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Bas Ramselaar, Nico Van Der Meel, Johann Sebastian Bach, Sytse Buwalda, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | |
| Concerto For 2 Keyboards In C Major, BWV 1061: III. Vivace | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach | A Minor | 3 | 8A | 98 BPM | |
 | Vespro della Beata Vergine, SV 206: VI. Laetatus sum a 6 - Live | Claudio Monteverdi, Ann Monoyios, Marinella Pennicchi, Mark Tucker, Nigel Robson, Alastair Miles, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, The Monteverdi Choir | G Minor | 1 | 6A | 89 BPM | |
 | Vivaldi: Magnificat in G Minor, RV 610: III. Et misericordia | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | E Minor | 2 | 9A | 100 BPM | |
 | Te Deum, H. 146: Te Deum, H. 146: IX. Fiat misericordia tua Domine | Marc-Antoine Charpentier, Véronique Gens, Noemi Rime, Les Arts Florissants, Bernard Deletré, William Christie | D♭ Major | 0 | 3B | 106 BPM | |
 | Mass in B Minor, BWV 232: Christe eleison | Johann Sebastian Bach, Akademie für Alte Musik Berlin, René Jacobs, Hillevi Martinpelto, Bernarda Fink | B♭ Minor | 4 | 3A | 100 BPM | |
 | Ein deutsches Requiem (A German Requiem), Op. 45: VII. Selig sind die Toten | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | F Major | 1 | 7B | 134 BPM | |
 | Bach, JS: St John Passion, BWV 245, Part 1: No. 5 "Dein Will gescheh, Herr Gott, zugleich" (Chorus) | Johann Sebastian Bach, Marc Minkowski, Ditte Andersen, Lenneke Ruiten, Delphine Galou, David Hansen, Colin Balzer, Valerio Contaldo, Christian Immler, Felix Speer, Les Musiciens du Louvre | F♯ Minor | 0 | 11A | 81 BPM | |
 | Chromatic Fantasy and Fuge, In D Minor BWV 903, Chromatische Fantasie and Fuge, D Moll BWV 903: Fantasie | Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach | C Minor | 3 | 5A | 76 BPM |
- ISRC
- GBHNG1500010
- Label
- L-M Records/RCA Records
Section: 0.658158540725708
End: 0.662144660949707