- BPM
- 108
- Key
- D Minor
- Camelot
- 7A
Petrushka (1911 Version): Tableau 1: The Shrovetide Fair - Igor Stravinsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky Information
- Acousticness
- 91%
- Danceability
- 35%
- Energy
- 23%
- Instrumentalness
- 22%
- Liveness
- 8%
- Loudness
- 69%
- Speechiness
- 4%
- Valence
- 18%
- Popularity
- 0%
- Loudness
- -18.598 dB
Summary
"Petrushka (1911 Version): Tableau 1: The Shrovetide Fair" by Igor Stravinsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky was released on February 7, 2017. Petrushka (1911 Version): Tableau 1: The Shrovetide Fair appears to be safe for all ages as it is not explicit. The song is number 1 out of 71 in Evgeny Mravinsky Edition, Vol. 2: Tchaikovsky, Mozart, Berlioz, Stravinsky & R. Strauss by Leningrad Philharmonic Orchestra, Evgeny Mravinsky. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Petrushka (1911 Version): Tableau 1: The Shrovetide Fair is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Petrushka (1911 Version): Tableau 1: The Shrovetide Fair BPM
The tempo marking of Petrushka (1911 Version): Tableau 1: The Shrovetide Fair by Igor Stravinsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
Petrushka (1911 Version): Tableau 1: The Shrovetide Fair Key
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Copland: Symphony No. 3: I. Molto moderato, with simple expression | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | A Major | 1 | 11B | 82 BPM | |
 | Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | |
 | String Quartet No.8 In C Minor, Op.110: 1. Largo - Live | Dmitri Shostakovich, Emerson String Quartet | C Major | 0 | 8B | 60 BPM | |
 | Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | B♭ Major | 1 | 6B | 93 BPM | |
 | Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra | C Major | 1 | 8B | 138 BPM | |
 | Symphony No. 7 in A Major, Op. 92: III. Presto. Trio I und II. Assai meno presto | Ludwig van Beethoven, Berliner Philharmoniker, Kirill Petrenko | D Major | 2 | 10B | 105 BPM | |
 | Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | |
 | The Rite of Spring: Part One: Adoration of the Earth: Introduction | Igor Stravinsky, Teodor Currentzis, musicAeterna | B Minor | 0 | 10A | 87 BPM | |
 | Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Martin Fröst | F Minor | 0 | 4A | 100 BPM | |
 | Pictures At An Exhibition: Promenade | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 87 BPM |
- ISRC
- DEAD61602626
- Label
- L-M Records/RCA Records
Section: 1.0378458499908447
End: 1.0411932468414307