"Requiem in D Minor, K. 626: I. Introitus: Requiem" by Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Concentus Musicus Wien was released on July 12, 2004. With this song being about 5 minutes long, at 4:57, "Requiem in D Minor, K. 626: I. Introitus: Requiem" by Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Concentus Musicus Wien is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, Nikolaus Harnoncourt's "Mozart: Requiem" album is number 1 out of 14. Requiem in D Minor, K. 626: I. Introitus: Requiem is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem in D Minor, K. 626: I. Introitus: Requiem by Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Concentus Musicus Wien to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in D Minor, K. 626 (Süssmayr - Dutron 2016 completion): IV. Ordinario - Agnus Dei | Wolfgang Amadeus Mozart, RIAS Kammerchor, Sophie Karthäuser, Marie-Claude Chappuis, Maximilian Schmitt, René Jacobs, Johannes Weisser, Freiburger Barockorchester | F Major | 1 | 7B | 62 BPM | ||
Requiem In D Minor, K. 626: Sequence: I. Dies Irae | Slovak Philharmonic, Magdaléna Hajóssyová, Peter Mikulas, Vladimir Ruso, Jaroslava Horska, Jozef Kundlák, Stefan Klimo, Slovak Philharmonic Chorus, Wolfgang Amadeus Mozart | G Minor | 3 | 6A | 79 BPM | ||
Mozart: Requiem in D Minor, K. 626: I. Introitus | Nikolaus Harnoncourt, Vienna State Opera Chorus, Rachel Yakar | D Minor | 1 | 7A | 93 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 2. Adagio | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 81 BPM | ||
Giulio Cesare in Egitto, HWV 17: Giulio Cesare in Egitto, HWV 17, Act III: Piangero la sorte mia si crudele e tanto ria | George Frideric Handel, Lynne Dawson, Lautten Compagney | E♭ Major | 1 | 5B | 96 BPM | ||
Requiem, Op. 48: I. Introït | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | B♭ Major | 0 | 6B | 71 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
Prelude & Fugue in C Minor (Well-Tempered Clavier, Book I, No. 2), BWV 847: I. Prelude | Johann Sebastian Bach, Víkingur Ólafsson | C Minor | 2 | 5A | 65 BPM | ||
Ein deutsches Requiem, Op. 45: I. Selig sind, die da Leid tragen (Choir) | Johannes Brahms, Swedish Radio Choir, Swedish Radio Symphony Orchestra, Daniel Harding | F Major | 0 | 7B | 54 BPM |
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