"Giulio Cesare in Egitto, HWV 17: Giulio Cesare in Egitto, HWV 17, Act III: Piangero la sorte mia si crudele e tanto ria" by George Frideric Handel, Lynne Dawson, Lautten Compagney was released on 2003. With this song being about 5 minutes long, at 5:21, "Giulio Cesare in Egitto, HWV 17: Giulio Cesare in Egitto, HWV 17, Act III: Piangero la sorte mia si crudele e tanto ria" by George Frideric Handel, Lynne Dawson, Lautten Compagney is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, Wolfgang Katschner, Lautten Compagney's "Georg Friedrich Haendel: Opera and Oratorio Arias (My Personal Handel Collection) [Dawson, Lauten Compagney]" album is number 12 out of 18. In terms of popularity, Giulio Cesare in Egitto, HWV 17: Giulio Cesare in Egitto, HWV 17, Act III: Piangero la sorte mia si crudele e tanto ria is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Giulio Cesare in Egitto, HWV 17: Giulio Cesare in Egitto, HWV 17, Act III: Piangero la sorte mia si crudele e tanto ria by George Frideric Handel, Lynne Dawson, Lautten Compagney to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polovtsian Dances From "Prince Igor" | Alexander Borodin, Torgny Sporsen, Gothenburg Symphony Orchestra, Neeme Järvi, Gothenburg Symphony Choir | D Major | 1 | 10B | 103 BPM | ||
Porpora: Arianna e Teseo: "Mira in cielo" (Alceste) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | E Major | 2 | 12B | 132 BPM | ||
Orfeo ed Euridice: Act II, Scene 1, Orfeo: Mille pene, ombre moleste | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor, Bernarda Fink | F Minor | 0 | 4A | 81 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: 1. Moderato | Sergei Rachmaninoff, Zoltán Kocsis, San Francisco Symphony, Edo de Waart | G Major | 1 | 9B | 82 BPM | ||
Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | C Minor | 1 | 5A | 75 BPM | ||
Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesple, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
String Sextet No. 1 in B flat major, Op. 18: Andante ma moderato | Johannes Brahms, Nash Ensemble | G Minor | 0 | 6A | 136 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Vorspiel (Allegro moderato) | Max Bruch, Sarah Chang, Kurt Masur, Dresdner Philharmonie | C Minor | 2 | 5A | 118 BPM | ||
Le nozze di Figaro (The Marriage of Figaro), K. 492, Act 1: "Non più andrai" | Teddy Tahu Rhodes | G Major | 2 | 9B | 130 BPM | ||
Mass in B Minor, BWV 232: Kyrie eleison (Chorus) | Johann Sebastian Bach, Veronika Winter, Johanna Koslowsky, Kai Wessel, Markus Brutscher, Hans-Georg Wimmer, Stephan Schreckenberger, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | A♭ Major | 0 | 4B | 130 BPM |
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