Requiem In D Minor, K. 626: Sequence: I. Dies Irae
Slovak Philharmonic, Magdaléna Hajóssyová, Peter Mikulas, Vladimir Ruso, Jaroslava Horska, Jozef Kundlák, Stefan Klimo, Slovak Philharmonic Chorus, Wolfgang Amadeus Mozart
Mozart: Requiem In D Minor
1:46 April 15, 1989
BPM
79
Key
G Minor
Camelot
6A

Embed

Share Link

Requiem In D Minor, K. 626: Sequence: I. Dies Irae - Slovak Philharmonic, Magdaléna Hajóssyová, Peter Mikulas, Vladimir Ruso, Jaroslava Horska, Jozef Kundlák, Stefan Klimo, Slovak Philharmonic Chorus, Wolfgang Amadeus Mozart Information

Acousticness
96%
Danceability
43%
Energy
30%
Instrumentalness
0%
Liveness
22%
Loudness
71%
Speechiness
3%
Valence
65%
Popularity
Loudness
-17.145 dB

Summary

Slovak Philharmonic, Magdaléna Hajóssyová, Peter Mikulas, Vladimir Ruso, Jaroslava Horska, Jozef Kundlák, Stefan Klimo, Slovak Philharmonic Chorus, Wolfgang Amadeus Mozart made "Requiem In D Minor, K. 626: Sequence: I. Dies Irae" available on April 15, 1989. With Requiem In D Minor, K. 626: Sequence: I. Dies Irae being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Slovak Philharmonic's "Mozart: Requiem In D Minor" album is number 3 out of 14. On top of that, Hong Kong appears to be the country where this track was created. Requiem In D Minor, K. 626: Sequence: I. Dies Irae is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Requiem In D Minor, K. 626: Sequence: I. Dies Irae BPM

We consider the tempo marking of Requiem In D Minor, K. 626: Sequence: I. Dies Irae by Slovak Philharmonic, Magdaléna Hajóssyová, Peter Mikulas, Vladimir Ruso, Jaroslava Horska, Jozef Kundlák, Stefan Klimo, Slovak Philharmonic Chorus, Wolfgang Amadeus Mozart to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Requiem In D Minor, K. 626: Sequence: I. Dies Irae Key

This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Te Deum in C Major, WAB 45: I. Te deum by Anton Bruckner, Magdaléna Hajóssyová, Rosemarie Lang, Peter-Jurgen Schmidt, Hermann Christian Polster, Rundfunkchor Berlin, Rundfunk Sinfonieorchester Berlin, Heinz RögnerTe Deum in C Major, WAB 45: I. Te deumAnton Bruckner, Magdaléna Hajóssyová, Rosemarie Lang, Peter-Jurgen Schmidt, Hermann Christian Polster, Rundfunkchor Berlin, Rundfunk Sinfonieorchester Berlin, Heinz RögnerD Major110B117 BPM
I. Allegro from Serenade in G, K. 525 I. Allegro from Serenade in G, K. 525 "Eine Kleine Nachtmusik"Boston Symphony Orchestra, Erich LeinsdorfG Major19B137 BPM
Carmina Burana: O Fortuna by Carl Orff, Eva Jenisova, Vladimir Dolezal, Ivan Kusnjer, Pavol Procházka, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Stephen GunzenhauserCarmina Burana: O FortunaCarl Orff, Eva Jenisova, Vladimir Dolezal, Ivan Kusnjer, Pavol Procházka, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Stephen GunzenhauserD Minor37A136 BPM
Der Freischütz, J. 277 / Act 1: Der Freischütz, J. 277 / Act 1: "O diese Sonne" - "Das Wild in Fluren und Triften"Carl Maria von Weber, Peter Schreier, Siegfried Vogel, Theo Adam, Staatskapelle Dresden, Carlos Kleiber, MDR Leipzig Radio ChorusC Major28B86 BPM
Requiem In D Minor, K. 626: Sequence: V. Confutatis Maledictis by Slovak Philharmonic, Vladimir Ruso, Slovak Philharmonic Chorus, Stefan Klimo, Magdaléna Hajóssyová, Jaroslava Horska, Jozef Kundlák, Peter Mikulas, Wolfgang Amadeus MozartRequiem In D Minor, K. 626: Sequence: V. Confutatis MaledictisSlovak Philharmonic, Vladimir Ruso, Slovak Philharmonic Chorus, Stefan Klimo, Magdaléna Hajóssyová, Jaroslava Horska, Jozef Kundlák, Peter Mikulas, Wolfgang Amadeus MozartA Minor08A101 BPM
<青のオーケストラ>協奏曲集「四季:夏」/第3楽章(ヴィヴァルディ) by スザーネ・ラウテンバッハー, ヴュルテンベルク室内管弦楽団, イエルク・フェルバー<青のオーケストラ>協奏曲集「四季:夏」/第3楽章(ヴィヴァルディ)スザーネ・ラウテンバッハー, ヴュルテンベルク室内管弦楽団, イエルク・フェルバーG Major59B137 BPM
Romeo and Juliet, Op. 64 / Act 1: 13. Dance of the Knights by Sergei Prokofiev, Chicago Symphony Orchestra, Sir Georg SoltiRomeo and Juliet, Op. 64 / Act 1: 13. Dance of the KnightsSergei Prokofiev, Chicago Symphony Orchestra, Sir Georg SoltiD Major010B131 BPM
Sorochintsi Fair, Act I: Gopak (Hopak) by Modest Mussorgsky, Slovak Philharmonic, Kenneth JeanSorochintsi Fair, Act I: Gopak (Hopak)Modest Mussorgsky, Slovak Philharmonic, Kenneth JeanG Major29B127 BPM
Air by United States Air Force BandAirUnited States Air Force BandD Major210B139 BPM
The Four Seasons: Winter, I. Allegro non molto by Academy of St. Martin in the FieldsThe Four Seasons: Winter, I. Allegro non moltoAcademy of St. Martin in the FieldsF Minor24A77 BPM
ISRC
HKI199278103
Label
L-M Records/RCA Records

Section: 0.7228176593780518

End: 0.7267763614654541