Slovak Philharmonic, Magdaléna Hajóssyová, Peter Mikulas, Vladimir Ruso, Jaroslava Horska, Jozef Kundlák, Stefan Klimo, Slovak Philharmonic Chorus, Wolfgang Amadeus Mozart made "Requiem In D Minor, K. 626: Sequence: I. Dies Irae" available on April 15, 1989. With Requiem In D Minor, K. 626: Sequence: I. Dies Irae being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Slovak Philharmonic's "Mozart: Requiem In D Minor" album is number 3 out of 14. On top of that, Hong Kong appears to be the country where this track was created. Requiem In D Minor, K. 626: Sequence: I. Dies Irae is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Requiem In D Minor, K. 626: Sequence: I. Dies Irae by Slovak Philharmonic, Magdaléna Hajóssyová, Peter Mikulas, Vladimir Ruso, Jaroslava Horska, Jozef Kundlák, Stefan Klimo, Slovak Philharmonic Chorus, Wolfgang Amadeus Mozart to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum in C Major, WAB 45: I. Te deum | Anton Bruckner, Magdaléna Hajóssyová, Rosemarie Lang, Peter-Jurgen Schmidt, Hermann Christian Polster, Rundfunkchor Berlin, Rundfunk Sinfonieorchester Berlin, Heinz Rögner | D Major | 1 | 10B | 117 BPM | ||
I. Allegro from Serenade in G, K. 525 "Eine Kleine Nachtmusik" | Boston Symphony Orchestra, Erich Leinsdorf | G Major | 1 | 9B | 137 BPM | ||
Carmina Burana: O Fortuna | Carl Orff, Eva Jenisova, Vladimir Dolezal, Ivan Kusnjer, Pavol Procházka, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | D Minor | 3 | 7A | 136 BPM | ||
Der Freischütz, J. 277 / Act 1: "O diese Sonne" - "Das Wild in Fluren und Triften" | Carl Maria von Weber, Peter Schreier, Siegfried Vogel, Theo Adam, Staatskapelle Dresden, Carlos Kleiber, MDR Leipzig Radio Chorus | C Major | 2 | 8B | 86 BPM | ||
Requiem In D Minor, K. 626: Sequence: V. Confutatis Maledictis | Slovak Philharmonic, Vladimir Ruso, Slovak Philharmonic Chorus, Stefan Klimo, Magdaléna Hajóssyová, Jaroslava Horska, Jozef Kundlák, Peter Mikulas, Wolfgang Amadeus Mozart | A Minor | 0 | 8A | 101 BPM | ||
<青のオーケストラ>協奏曲集「四季:夏」/第3楽章(ヴィヴァルディ) | スザーネ・ラウテンバッハー, ヴュルテンベルク室内管弦楽団, イエルク・フェルバー | G Major | 5 | 9B | 137 BPM | ||
Romeo and Juliet, Op. 64 / Act 1: 13. Dance of the Knights | Sergei Prokofiev, Chicago Symphony Orchestra, Sir Georg Solti | D Major | 0 | 10B | 131 BPM | ||
Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
Air | United States Air Force Band | D Major | 2 | 10B | 139 BPM | ||
The Four Seasons: Winter, I. Allegro non molto | Academy of St. Martin in the Fields | F Minor | 2 | 4A | 77 BPM |
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