"Requiem In D Minor, K. 626: Sequence: V. Confutatis Maledictis" by Slovak Philharmonic, Vladimir Ruso, Slovak Philharmonic Chorus, Stefan Klimo, Magdaléna Hajóssyová, Jaroslava Horska, Jozef Kundlák, Peter Mikulas, Wolfgang Amadeus Mozart was released on April 15, 1989. The duration of Requiem In D Minor, K. 626: Sequence: V. Confutatis Maledictis is about 3 minutes long, at 3:07. Based on our data, "Requiem In D Minor, K. 626: Sequence: V. Confutatis Maledictis" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Slovak Philharmonic's "Mozart: Requiem In D Minor" album is number 7 out of 14. In terms of popularity, Requiem In D Minor, K. 626: Sequence: V. Confutatis Maledictis is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem In D Minor, K. 626: Sequence: V. Confutatis Maledictis by Slovak Philharmonic, Vladimir Ruso, Slovak Philharmonic Chorus, Stefan Klimo, Magdaléna Hajóssyová, Jaroslava Horska, Jozef Kundlák, Peter Mikulas, Wolfgang Amadeus Mozart to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Vivaldi: The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": III. Allegro | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | F Minor | 2 | 4A | 172 BPM | ||
Requiem in D minor, K.626: Rex tremendae majestatis | Wolfgang Amadeus Mozart, Westminster Cathedral Choir, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | G Minor | 2 | 6A | 102 BPM | ||
Così fan tutte, K. 588: Act 1: "Da Soldati D'onore" - Terzetto "Una Bella Serenata" | Wolfgang Amadeus Mozart, Concerto Köln, Marcel Boone, Werner Güra, René Jacobs, Pietro Spagnoli | C Major | 3 | 8B | 73 BPM | ||
La forza del destino: Overture (Sinfonia) | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | E Minor | 2 | 9A | 80 BPM | ||
Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" | Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | C Major | 3 | 8B | 148 BPM | ||
Mozart: Requiem in D Minor, K. 626: III. Dies irae | Nikolaus Harnoncourt, Vienna State Opera Chorus | G Minor | 4 | 6A | 77 BPM | ||
Solfeggietto in C minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Dinara Klinton | F Minor | 2 | 4A | 122 BPM | ||
Die Zauberflöte, K. 620, Act I: Rezitativ - Die Weisheitslehre dieser Knaben | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | D♭ Major | 1 | 3B | 125 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | ||
Stabat Mater, RV 621: IX. Amen | Antonio Vivaldi, Andreas Scholl, Ensemble 415, Chiara Banchini | B♭ Major | 1 | 6B | 177 BPM |
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