- BPM
- 54
- Key
- F Major
- Camelot
- 7B
Ein deutsches Requiem, Op. 45: I. Selig sind, die da Leid tragen (Choir) - Johannes Brahms, Swedish Radio Choir, Swedish Radio Symphony Orchestra, Daniel Harding Information
- Acousticness
- 95%
- Danceability
- 6%
- Energy
- 4%
- Instrumentalness
- 82%
- Liveness
- 10%
- Loudness
- 58%
- Speechiness
- 5%
- Valence
- 3%
- Popularity
- 36%
- Loudness
- -25.45 dB
Summary
"Ein deutsches Requiem, Op. 45: I. Selig sind, die da Leid tragen (Choir)" by Johannes Brahms, Swedish Radio Choir, Swedish Radio Symphony Orchestra, Daniel Harding was released on September 6, 2019. Ein deutsches Requiem, Op. 45: I. Selig sind, die da Leid tragen (Choir) appears to be safe for all ages as it is not explicit. The song is number 1 out of 7 in Brahms: Ein deutsches Requiem by Johannes Brahms, Swedish Radio Symphony Orchestra, Daniel Harding, Christiane Karg, Matthias Goerne, Swedish Radio Choir. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Ein deutsches Requiem, Op. 45: I. Selig sind, die da Leid tragen (Choir) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Ein deutsches Requiem, Op. 45: I. Selig sind, die da Leid tragen (Choir) BPM
The tempo marking of Ein deutsches Requiem, Op. 45: I. Selig sind, die da Leid tragen (Choir) by Johannes Brahms, Swedish Radio Choir, Swedish Radio Symphony Orchestra, Daniel Harding is Lento (slowly), since this song has a tempo of 54 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Ein deutsches Requiem, Op. 45: I. Selig sind, die da Leid tragen (Choir) Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Debussy: Piano Trio in G Major, L. 5: I. Andantino con moto allegro | Claude Debussy, Bertrand Chamayou | C Major | 1 | 8B | 80 BPM | |
 | L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | |
 | 21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 3 in F Major | Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride | F Major | 1 | 7B | 83 BPM | |
 | Suite No. 2, P. 138: III. Campanae Parisiennses - Aria: Andante Mosso | Ottorino Respighi, RTÉ National Symphony Orchestra | C Major | 0 | 8B | 76 BPM | |
 | Fauré: Élégie, Op. 24 (Orchestral Version) | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | A♭ Major | 0 | 4B | 89 BPM | |
 | 6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM | |
 | Concerto No. 2 for Piano and Orchestra, Op. 102 (Remastered): II. Andante | Dmitri Shostakovich, Leonard Bernstein | F Major | 1 | 7B | 172 BPM | |
 | Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | |
 | Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | |
 | Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM |
- ISRC
- FR7JM1893010
- Label
- L-M Records/RCA Records
Section: 0.8263509273529053
End: 0.8297758102416992