Anonymous, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal's 'Prose of Pentecost (Veni Sancte Spiritus)' came out on 1977. The duration of Prose of Pentecost (Veni Sancte Spiritus) is about 3 minutes long, at 3:28. Based on our data, "Prose of Pentecost (Veni Sancte Spiritus)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal's "Great Hours of Liturgy at Notre-Dame in Paris" album is number 11 out of 15. On top of that, France appears to be the country where this track was created. Prose of Pentecost (Veni Sancte Spiritus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Prose of Pentecost (Veni Sancte Spiritus) by Anonymous, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Burial Service: I. Man that is Born of a Woman | Thomas Morley, Michael Bawtree, Annabell McLauchlan, David Rowland | G Minor | 0 | 6A | 98 BPM | ||
Blessed Is the Man, Op. 44 No. 2 (Arr. G. Smirnov for Choir) | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | C Minor | 1 | 5A | 137 BPM | ||
Missa si Deus pro nobis, a 16 voci: I. Kyrie eleison | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | C Major | 1 | 8B | 94 BPM | ||
Burial service: I heard a voice from heaven | William Croft, Sidney Sussex College Choir, Cambridge, Unknown Artist, David Skinner | B♭ Minor | 1 | 3A | 69 BPM | ||
Media vita in morte sumus | Nicolas Gombert, Oxford Camerata, Jeremy Summerly | F Minor | 1 | 4A | 143 BPM | ||
Mass for Double Choir: IV. Sanctus - Benedictus | Frank Martin, Westminster Choir, Joe Miller | D Major | 2 | 10B | 122 BPM | ||
We Praise Thee, O God No. 2 in F Major | Lege Artis Chamber Choir, Boris Abalyan | F♯ Minor | 1 | 11A | 133 BPM | ||
Mass for 4 mixed voices, 2 organs and brass in E Major: IV. Interlude | Léonce de Saint-Martin, Pierre Cochereau, Jehan Revert, Choir of Notre-Dame in Paris, Denise Chirat-Comtet, Armand Birbaum Brass Ensemble | C Minor | 3 | 5A | 53 BPM | ||
Nolo mortem peccatoris | Thomas Morley, Stile Antico | F Minor | 1 | 4A | 79 BPM |
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