Cello Suite No. 1 in G Major, BWV 1007 (Arr. J. Lindberg for Lute): VI. Gigue - Johann Sebastian Bach, Jakob Lindberg Information

Acousticness: 98%
Danceability: 55%
Energy: 12%
Instrumentalness: 94%
Liveness: 11%
Loudness: 60%
Speechiness: 4%
Valence: 73%
Popularity: 0%
Loudness: -24.038 dB

Summary

Johann Sebastian Bach, Jakob Lindberg made "Cello Suite No. 1 in G Major, BWV 1007 (Arr. J. Lindberg for Lute): VI. Gigue" available on November 5, 2021. With Cello Suite No. 1 in G Major, BWV 1007 (Arr. J. Lindberg for Lute): VI. Gigue being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 20 in Bach on the Rauwolf Lute by Johann Sebastian Bach, Jakob Lindberg. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Cello Suite No. 1 in G Major, BWV 1007 (Arr. J. Lindberg for Lute): VI. Gigue is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Cello Suite No. 1 in G Major, BWV 1007 (Arr. J. Lindberg for Lute): VI. Gigue BPM

The tempo marking of Cello Suite No. 1 in G Major, BWV 1007 (Arr. J. Lindberg for Lute): VI. Gigue by Johann Sebastian Bach, Jakob Lindberg is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Cello Suite No. 1 in G Major, BWV 1007 (Arr. J. Lindberg for Lute): VI. Gigue Key

This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano)	Clara Schumann, Sophie Kauer, Kunal Lahiry	D♭ Major	0	3B	68 BPM
Suite in D Minor, HWV 447: Allemande	George Frideric Handel, David Greilsammer	D Minor	1	7A	74 BPM
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	D Minor	3	7A	101 BPM
Violin Concerto in D Major, RV 230: I. Allegro	Antonio Vivaldi, János Rolla, John Williams, Franz Liszt Chamber Orchestra	D Major	4	10B	93 BPM
Music: Stolzel: Bist Du Bei Mir	John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach	E♭ Major	1	5B	64 BPM
Nocturne en mi bémol majeur opus 9 n°2: Ballade en Sol Mineur No.1	Frédéric Chopin, Luis Fernando Pérez	E♭ Major	0	5B	61 BPM
Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto	Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra	D Minor	3	7A	82 BPM
Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande	George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields	D Minor	0	7A	116 BPM
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725)	Gottfried Heinrich Stölzel, Daniil Trifonov	E♭ Major	0	5B	133 BPM
King Arthur, Z. 628, "The British Worthy": Air	Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett	D♭ Minor	0	12A	114 BPM

ISRC: SEAEB2152090
Label: L-M Records/RCA Records

Section: 0.7158017158508301

End: 0.7195291519165039