"Turandot, SC 91, Act II: In questa Reggia (Turandot, Calaf, Coro)" by Giacomo Puccini, Alain Lombard, Günther Wagner, José Carreras, Montserrat Caballé, Orchestre Philharmonique De Strasbourg, Choeurs De L'Opera Du Rhin, Maîtrise de la Cathédrale de Strasbourg was released on January 8, 2022. Since Turandot, SC 91, Act II: In questa Reggia (Turandot, Calaf, Coro) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 24 in Casta Diva: Soprano Arias by Various Artists. Turandot, SC 91, Act II: In questa Reggia (Turandot, Calaf, Coro) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Turandot, SC 91, Act II: In questa Reggia (Turandot, Calaf, Coro) by Giacomo Puccini, Alain Lombard, Günther Wagner, José Carreras, Montserrat Caballé, Orchestre Philharmonique De Strasbourg, Choeurs De L'Opera Du Rhin, Maîtrise de la Cathédrale de Strasbourg is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello) | Giacomo Puccini, Barbara Hendricks, Francesco Ellero D'Artegna, Gino Quilico, James Conlon, José Carreras, Orchestre National De France, Richard Cowan | A Major | 0 | 11B | 78 BPM | ||
Dido and Aeneas, Z. 626: Act III: When I am Laid in Earth | Henry Purcell, Leontyne Price, Francesco Molinari-Pradelli | G Minor | 1 | 6A | 86 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
Roméo et Juliette, Acte II: "L'amour... Ah! Lève-toi, soleil!" | Charles Gounod, Jonas Kaufmann, Bertrand de Billy | F Major | 1 | 7B | 80 BPM | ||
Cavalleria rusticana: Act I: Regina coeli, laetare - Alleluja! | Pietro Mascagni, Renata Scotto, Jean Kraft, James Levine | G Major | 2 | 9B | 84 BPM | ||
Four Songs Op. 13: No. 3 Sure On This Shining Night - Andante | Samuel Barber, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | B♭ Major | 2 | 6B | 88 BPM | ||
Bizet: Les Pêcheurs de perles, Act 1: "Au fond du temple saint" (Nadir, Zurga) | Georges Bizet, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | E♭ Major | 2 | 5B | 88 BPM | ||
Les Pecheurs De Perles (The Pearl Fishers): Les Pecheurs De Perles (The Pearl Fishers), Act 1: Au Fond Du Temple Saint | Eugene Cormon, Slovak Radio Symphony Orchestra, Igor Morozov, Janez Lotric, Michel Carre, Georges Bizet | E♭ Major | 1 | 5B | 132 BPM | ||
Die Zauberflöte, K.620 / Act 2: "Der Hölle Rache kocht in meinem Herzen" | Wolfgang Amadeus Mozart, Erika Miklósa, Mahler Chamber Orchestra, Claudio Abbado | F Major | 1 | 7B | 71 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM |
Section: 0.6694173812866211
End: 0.6742048263549805