"La Boheme: Che Gelida Manina" by Jussi Björling, RCA Victor Orchestra, Sir Thomas Beecham was released on March 3, 1931. With this song being about 5 minutes long, at 5:09, "La Boheme: Che Gelida Manina" by Jussi Björling, RCA Victor Orchestra, Sir Thomas Beecham is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 114 in the song's album "Presenting Jussi Björling". In this album, this song's track order is #64. Furthermore, we believe that the track originated from Germany. The popularity of La Boheme: Che Gelida Manina is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Boheme: Che Gelida Manina by Jussi Björling, RCA Victor Orchestra, Sir Thomas Beecham having a BPM of 182 with a half-time of 91 BPM and a double-time of 364 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: Madama Butterfly, Act 1: "Ed eccoci in famiglia" (Pinkerton, Coro, Il Bonzo, Butterfly, Goro, Suzuki, Yakusidé, Cugina, Madre, Zia) | Giacomo Puccini, Victoria de los Ángeles, Bonaldo Giaiotti, Coro Del Teatro Dell'Opera Di Roma, Jussi Björling, Miriam Pirazzini, Nina De Courson, Paolo Montarsolo, Piero de Palma, Silvia Bertona, Vera Magrini, Gabriele Santini, Orchestra Del Teatro Dell'Opera Di Roma | D Major | 1 | 10B | 92 BPM | ||
Cielo e Mar! (La Gioconda) | Jussi Björling, RCA Victor Orchestra, Robert Merrill | B Minor | 5 | 10A | 137 BPM | ||
Den förlorade sonen Suite: Polka from "Roslagen" | Hugo Alfvén, Helsingborg Symphony Orchestra, Okko Kamu | C Major | 0 | 8B | 101 BPM | ||
3 Sanger: 3 Sanger: No. 3. Till havs (Toward the Sea) | Jussi Björling | E Major | 6 | 12B | 94 BPM | ||
Bizet: Les Pêcheurs de perles, Act 1: "Au fond du temple saint" (Nadir, Zurga) | Georges Bizet, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | E♭ Major | 2 | 5B | 88 BPM | ||
Rusalka, Op. 114, B.203 / Act 1: Mesicku na nebi hlubokém | Antonín Dvořák, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | F♯ Major | 1 | 2B | 87 BPM | ||
Lucrezia Borgia / Act 2: Era desso il figlio mio | Gaetano Donizetti, Renée Fleming, Coro del Maggio Musicale Fiorentino, Orchestra of St. Luke's, Patrick Summers | B♭ Minor | 1 | 3A | 98 BPM | ||
Forkladd gud, Op. 24: Tror du, att faren skulle | Lars-Erik Larsson, Erik Saeden, Elisabeth Söderström, Martin Lidstams Vokalensemble, Stockholm Radio Orchestra, Stig Westerberg | A Major | 3 | 11B | 85 BPM | ||
Giordano: Andrea Chénier, Act 4: "Come un bel dì di maggio" (Andrea) | Umberto Giordano, Gabriele Santini, Franco Corelli, Orchestra Del Teatro Dell'Opera Di Roma | B Minor | 2 | 10A | 90 BPM | ||
Musica proibita | Stanislao Gastaldon, Jonas Kaufmann, Asher Fisch | A Major | 1 | 11B | 168 BPM |
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