Jussi Björling, RCA Victor Orchestra, Robert Merrill's 'Cielo e Mar! (La Gioconda)' came out on March 3, 1931. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 114 in the song's album "Presenting Jussi Björling". In this album, this song's track order is #24. Furthermore, we believe that the track originated from Germany. Based on our statistics, Cielo e Mar! (La Gioconda)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cielo e Mar! (La Gioconda) by Jussi Björling, RCA Victor Orchestra, Robert Merrill having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Merry Widow (Die lustige Witwe) / Act 2: Valse moderato | Franz Lehár, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 98 BPM | ||
Bizet: Carmen, Act 1: "Près des remparts de Séville" (Seguédille) [Carmen] | Georges Bizet, Maria Callas, Georges Prêtre, Orchestra of the Royal Opera House, Covent Garden | G Major | 1 | 9B | 83 BPM | ||
Saa tag mitt hjerte (Jussi Björling) | Hugo Alfvén, Jussi Björling, Stockholm Royal Opera Orchestra, Nils Grevillius | F♯ Major | 2 | 2B | 84 BPM | ||
Frasquita: "Hab' ein blaues Himmelbett" | Franz Lehár, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra | D Major | 0 | 10B | 94 BPM | ||
Tannhauser: O du mein holder Abendstern | Richard Wagner, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | G Major | 2 | 9B | 84 BPM | ||
Turandot | Jussi Björling, Giorgio Tozzi, Erich Leinsdorf, Renata Tebaldi, Orchestra Del Teatro Dell'Opera Di Roma | E♭ Major | 2 | 5B | 131 BPM | ||
La bohème (2002 Digital Remaster), Act Three: Dunque è proprio finita! (Mimi/Rodolfo) | Sir Thomas Beecham, Victoria de los Ángeles, Jussi Björling, RCA Victor Orchestra | G Major | 1 | 9B | 77 BPM | ||
Mascagni's Cavalleria Rusticana - Mamma, Quel Vino È Generoso | Jussi Björling | A♭ Minor | 3 | 1A | 100 BPM | ||
Frösöblomster, Book 1, Op. 16: Sommarsång (Arr. for Orchestra) | Anonymous, Wilhelm Peterson-Berger, Helsingborg Symphony Orchestra, Okko Kamu | F Major | 0 | 7B | 61 BPM | ||
Cilèa: L'Arlesiana, Act 2: "È la solita storia del pastore" (Federico) | Francesco Cilea, Jussi Björling, Nils Grevillius, Stockholm Concert Society Orchestra | A Minor | 2 | 8A | 63 BPM |
Section: 0.7153487205505371
End: 0.7203724384307861