Hugo Alfvén, Helsingborg Symphony Orchestra, Okko Kamu's 'Den förlorade sonen Suite: Polka from "Roslagen"' came out on June 16, 1995. The duration of Den förlorade sonen Suite: Polka from "Roslagen" is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Den förlorade sonen Suite: Polka from "Roslagen"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Swedish Orchestral Favourites, Vol. 1". In this album, this song's track order is #11. In terms of popularity, Den förlorade sonen Suite: Polka from "Roslagen" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Den förlorade sonen Suite: Polka from "Roslagen" by Hugo Alfvén, Helsingborg Symphony Orchestra, Okko Kamu having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bilagers musiquen (Royal wedding music), BeRI 2, "Drottningholmsmusique": XI. Allegro | Johan Helmich Roman, Helsingborg Symphony Orchestra, Andrew Manze | A Minor | 1 | 8A | 99 BPM | ||
Turandot, Act III: Nessun dorma (arr. for orchestra) | Anonymous , Giacomo Puccini, Sofia Philharmonic Orchestra, Emil Tabakov | D Major | 1 | 10B | 85 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Madama Butterfly, Act 2: Humming Chorus | Giacomo Puccini, Opera Queensland Chorus, Johannes Fritzsch, Queensland Symphony Orchestra | B♭ Major | 0 | 6B | 139 BPM | ||
Violin Concerto No. 3 in C Minor, Op. 14: II. Andante con moto | Tor Aulin, Ulf Wallin, Helsingborg Symphony Orchestra, Andrew Manze | A♭ Major | 1 | 4B | 97 BPM | ||
The Banks of Green Willow | George Butterworth, Royal Liverpool Philharmonic Orchestra, Grant Llewellyn | A Minor | 0 | 8A | 71 BPM | ||
Slaraffenland (Fools' Paradise), Op. 33: Suite I: III. Princess Sweets | Knudåge Riisager, Helsingborg Symphony Orchestra, Thomas Dausgaard | G Major | 0 | 9B | 88 BPM | ||
Karelia Suite, Op. 11: 2. Ballade (Tempo di menuetto) | Jean Sibelius, Helsinki Radio Symphony Orchestra, Okko Kamu | D♭ Major | 2 | 3B | 82 BPM | ||
Flute Concertino, Op. 107: Concertino for Flute and Orchestra, Op. 107 | Cécile Chaminade, Manuela Wiesler, Helsingborg Symphony Orchestra, Philippe Auguin | E Minor | 0 | 9A | 107 BPM | ||
Dagmar Polka (1866) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 168 BPM |
Section: 0.7673656940460205
End: 0.7720367908477783