Pyotr Ilyich Tchaikovsky, William H. Griffin, Arsis Handbell Ensemble, Aivar Mae made "The Nutcracker Suite, Op. 71a: IIc. Russian Dance, "Trepak" (arr. W.H. Griffin)" available on May 3, 2011. With The Nutcracker Suite, Op. 71a: IIc. Russian Dance, "Trepak" (arr. W.H. Griffin) being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Aivar Mae's "Legend" album is number 17 out of 17. Based on our statistics, The Nutcracker Suite, Op. 71a: IIc. Russian Dance, "Trepak" (arr. W.H. Griffin)'s popularity is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of The Nutcracker Suite, Op. 71a: IIc. Russian Dance, "Trepak" (arr. W.H. Griffin) by Pyotr Ilyich Tchaikovsky, William H. Griffin, Arsis Handbell Ensemble, Aivar Mae to be Allegro (fast, quick, and bright) because the track has a tempo of 147 BPM, a half-time of 74BPM, and a double-time of 294 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
Babes in Toyland: Eccentric Dance (Gavotte) | Victor Herbert, Razumovsky Symphony Orchestra, Keith Brion | F Major | 1 | 7B | 84 BPM | ||
Oh Come, All Ye Faithful | Playing To Pitch In | D Major | 5 | 10B | 98 BPM | ||
Tinniat! (Jingle Bells in Latin) | Keith Massey | D Major | 2 | 10B | 93 BPM | ||
La fille mal gardée (Rev. Lanchbery), Act I: No. 17a, Clog Dance | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | G Minor | 1 | 6A | 130 BPM | ||
Symphony No. 3 in D Major, Op. 29, "Polish": II. Allegro moderato e semplice | Pyotr Ilyich Tchaikovsky, Gürzenich Orchester Köln, Dmitri Kitayenko | G Minor | 0 | 6A | 120 BPM | ||
Dido and Aeneas, Z. 626 (Arr. for String Orchestra by Leopold Stokowski): When I Am Laid in Earth | Henry Purcell, United Strings of Europe, Julian Azkoul | G Minor | 0 | 6A | 80 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): IV. Chanson du toréador | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Major | 1 | 7B | 109 BPM | ||
Swan Lake, Op. 20: Op. 20: Act IV No. 29, Scène Finale | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | B Major | 4 | 1B | 113 BPM | ||
Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Mélodie" (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | D Minor | 0 | 7A | 128 BPM |
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