Johann Sebastian Bach, Wu Wei, Holland Baroque's 'Violin Sonata No. 2 in A Minor, BWV 1003: III. Andante (Arr. J. Steenbrink & T. Steenbrink for Sheng & Chamber Ensemble)' came out on June 1, 2019. With this song being about 5 minutes long, at 5:24, "Violin Sonata No. 2 in A Minor, BWV 1003: III. Andante (Arr. J. Steenbrink & T. Steenbrink for Sheng & Chamber Ensemble)" by Johann Sebastian Bach, Wu Wei, Holland Baroque is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Silk Baroque". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Violin Sonata No. 2 in A Minor, BWV 1003: III. Andante (Arr. J. Steenbrink & T. Steenbrink for Sheng & Chamber Ensemble) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Sonata No. 2 in A Minor, BWV 1003: III. Andante (Arr. J. Steenbrink & T. Steenbrink for Sheng & Chamber Ensemble) by Johann Sebastian Bach, Wu Wei, Holland Baroque having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Allegro | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
Sonate e Partite: No. 46, Presto | Francesco Lecce, Claudio Ferrarini | C Major | 2 | 8B | 67 BPM | ||
Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (arr. I. Friedman for piano) | Ignaz Friedman, Johann Sebastian Bach, Joseph Banowetz | G Minor | 0 | 6A | 73 BPM | ||
Le Tic-Toc-Choc | François Couperin, Sarah O'Brien | A Major | 1 | 11B | 87 BPM | ||
Sinfonia per violoncello in G Minor: II. Allegro | Giovanni Bononcini, Marco Ceccato, Accademia Ottoboni | A♭ Minor | 1 | 1A | 73 BPM | ||
Oboe Concerto in E Minor, TWV 51:e1: IV. Allegro | Georg Philipp Telemann, Marcel Ponseele, Il Gardellino | E♭ Minor | 3 | 2A | 127 BPM | ||
Brandenburg Concerto No. 4 in G, BWV 1049: 2. Andante | Johann Sebastian Bach, Chamber Orchestra of Europe, Marieke Blankestijn, Thierry Fischer, Josine Buter | D Minor | 5 | 7A | 117 BPM | ||
Suite in A Major, BWV 1025: II. Courante | Silvius Leopold Weiss, Johann Sebastian Bach, Emelie Roos, Dohyo Sol | B Minor | 0 | 10A | 127 BPM | ||
Te Deum, H. 146: I. Prélude | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | C Major | 4 | 8B | 101 BPM | ||
Violin Sonata No. 8 in F Major, K. 13 (arr. for flute and harp): II. Andante | Wolfgang Amadeus Mozart, Anonymous, Robert Stallmann, Kateřina Englichová | A♭ Major | 1 | 4B | 109 BPM |
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