- BPM
- 111
- Key
- F Major
- Camelot
- 7B
Il pirata: Act II - "Oh, Sole! ti vela di tenebre oscure" - Vincenzo Bellini, Berlin Deutsche Opera House Choir, Marcello Viotti, Berlin Deutsche Opera Orchestra, Lucia Aliberti, Hermine May Information
- Acousticness
- 96%
- Danceability
- 35%
- Energy
- 9%
- Instrumentalness
- 1%
- Liveness
- 9%
- Loudness
- 66%
- Speechiness
- 7%
- Valence
- 16%
- Popularity
- 0%
- Loudness
- -20.111 dB
Summary
"Il pirata: Act II - "Oh, Sole! ti vela di tenebre oscure"" by Vincenzo Bellini, Berlin Deutsche Opera House Choir, Marcello Viotti, Berlin Deutsche Opera Orchestra, Lucia Aliberti, Hermine May was released on 1994. The duration of Il pirata: Act II - "Oh, Sole! ti vela di tenebre oscure" is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Il pirata: Act II - "Oh, Sole! ti vela di tenebre oscure"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 23 out of 50 in Bellini: Il Pirata (Opera) by Vincenzo Bellini, Marcello Viotti, Berlin Deutsche Opera Orchestra, Berlin Deutsche Opera House Choir. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Il pirata: Act II - "Oh, Sole! ti vela di tenebre oscure" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Il pirata: Act II - "Oh, Sole! ti vela di tenebre oscure" BPM
The tempo marking of Il pirata: Act II - "Oh, Sole! ti vela di tenebre oscure" by Vincenzo Bellini, Berlin Deutsche Opera House Choir, Marcello Viotti, Berlin Deutsche Opera Orchestra, Lucia Aliberti, Hermine May is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
Il pirata: Act II - "Oh, Sole! ti vela di tenebre oscure" Key
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Sediziose voci, voci di guerra" | Vincenzo Bellini, Cecilia Bartoli, Michele Pertusi, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | B♭ Minor | 3 | 3A | 98 BPM | |
 | Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Glou, glou, glou (Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | C Major | 0 | 8B | 101 BPM | |
 | Adriana Lecouvreur: Poveri fiori (Act IV) | Francesco Cilea, Kiri Te Kanawa, Myung-Whun Chung, London Symphony Orchestra | D Minor | 0 | 7A | 87 BPM | |
 | Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM |
- ISRC
- DES380003759
- Label
- L-M Records/RCA Records
Section: 0.7942509651184082
End: 0.7974133491516113