"Strauss, Richard: Salome, Op. 54, TrV 215, Scene 4: Dance of the Seven Veils (Orchestral Interlude)" by Richard Strauss, Royal Concertgebouw Orchestra, Daniele Gatti was released on September 21, 2018. Since Strauss, Richard: Salome, Op. 54, TrV 215, Scene 4: Dance of the Seven Veils (Orchestral Interlude) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 21 in the song's album "Richard Strauss: Salome". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Netherlands. Strauss, Richard: Salome, Op. 54, TrV 215, Scene 4: Dance of the Seven Veils (Orchestral Interlude) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strauss, Richard: Salome, Op. 54, TrV 215, Scene 4: Dance of the Seven Veils (Orchestral Interlude) by Richard Strauss, Royal Concertgebouw Orchestra, Daniele Gatti having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite Suite de Concert, Op. 77: III. Un sonnet d'amour | Samuel Coleridge-Taylor, Chineke! Orchestra, Anthony Parnther | D Major | 0 | 10B | 62 BPM | ||
Strauss, R / Arr. Prihoda for Violin and Piano: Stimmungsbilder, Op. 9: No. 2, An einsamer Quelle | Richard Strauss, Renaud Capuçon, Jerome Ducros | E♭ Major | 3 | 5B | 100 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Don Quixote, Op. 35, TrV 184: Maggiore | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | E Major | 0 | 12B | 169 BPM | ||
Salome, Op. 54 / Scene 1: "Nach mir wird Einer kommen" | Richard Strauss, Marianne Rorholm, Clemens Bieber, Bryn Terfel, Bengt Rundgren, William Murray, Klaus Lang, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | G Major | 0 | 9B | 82 BPM | ||
Piano Quintet in C Minor: I. Andante | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Minor | 1 | 5A | 68 BPM | ||
6 Melodies, Op. 4 - 6 melodies, Op. 5: Allegretto | Fanny Mendelssohn, Beatrice Rauchs | G Minor | 1 | 6A | 107 BPM | ||
Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Minor | 0 | 6A | 99 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: 1. Allegro maestoso | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | A♭ Minor | 1 | 1A | 120 BPM |
Section: 0.7407212257385254
End: 0.744159460067749