Salome, Op. 54 / Scene 1: "Nach mir wird Einer kommen" - Richard Strauss, Marianne Rorholm, Clemens Bieber, Bryn Terfel, Bengt Rundgren, William Murray, Klaus Lang, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli Information

"Salome, Op. 54 / Scene 1: "Nach mir wird Einer kommen"" by Richard Strauss, Marianne Rorholm, Clemens Bieber, Bryn Terfel, Bengt Rundgren, William Murray, Klaus Lang, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli was released on January 1, 1991. The duration of Salome, Op. 54 / Scene 1: "Nach mir wird Einer kommen" is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Salome, Op. 54 / Scene 1: "Nach mir wird Einer kommen"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "Richard Strauss: Salome". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Salome, Op. 54 / Scene 1: "Nach mir wird Einer kommen" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Salome, Op. 54 / Scene 1: "Nach mir wird Einer kommen" BPM

With Salome, Op. 54 / Scene 1: "Nach mir wird Einer kommen" by Richard Strauss, Marianne Rorholm, Clemens Bieber, Bryn Terfel, Bengt Rundgren, William Murray, Klaus Lang, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Salome, Op. 54 / Scene 1: "Nach mir wird Einer kommen" Key

This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.