"Wozzeck / Act I: Scene II: An open field outside the town. "Du, der Platz ist verflucht!" "Ach was!"" by Alban Berg, Franz Grundheber, Philip Langridge, Claudio Abbado, Wiener Philharmoniker was released on January 1, 1988. Since Wozzeck / Act I: Scene II: An open field outside the town. "Du, der Platz ist verflucht!" "Ach was!" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 16 in Berg: Wozzeck by Alban Berg, Vienna Boys' Choir, Wiener Philharmoniker, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Wozzeck / Act I: Scene II: An open field outside the town. "Du, der Platz ist verflucht!" "Ach was!"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wozzeck / Act I: Scene II: An open field outside the town. "Du, der Platz ist verflucht!" "Ach was!" by Alban Berg, Franz Grundheber, Philip Langridge, Claudio Abbado, Wiener Philharmoniker is Allegro (fast, quick, and bright), since this song has a tempo of 145 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wo der Goldregen steht | Alban Berg, Konrad Lorenz, Joseph Tawadros, Gibran Khalil Gibran, Andreas Scholl, Tamar Halperin | F Major | 1 | 7B | 81 BPM | ||
Peter Grimes: 4 Sea Interludes, Op. 33a: III. Moonlight | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | E♭ Major | 0 | 5B | 84 BPM | ||
The Ring - An Orchestral Adventure, arranged by Henk de Vlieger: I. Vorspiel | Richard Wagner, Kristjan Järvi | E♭ Major | 0 | 5B | 95 BPM | ||
Lulu / Act 1: Monoritmica "Nun?" / "Du hast eine halbe Million geheiratet" | Alban Berg, Teresa Stratas, Robert Tear, Franz Mazura, Orchestre de l'Opéra de Paris, Pierre Boulez | C Major | 1 | 8B | 79 BPM | ||
Symphony No. 2 in C Major, Op. 61: III. Adagio espressivo | Robert Schumann, Staatskapelle Berlin, Daniel Barenboim | E Major | 2 | 12B | 136 BPM | ||
String Quartet No. 1 'Kreutzer Sonata': String Quartet No. 1 'Kreutzer Sonata': II. Con moto | Leoš Janáček, Jerusalem Quartet | F♯ Major | 2 | 2B | 78 BPM | ||
String Quartet No. 1 'Kreutzer Sonata': String Quartet No. 1 'Kreutzer Sonata': III. Con moto. Vivo. Andante | Leoš Janáček, Jerusalem Quartet | F♯ Major | 2 | 2B | 129 BPM | ||
Bartók: String Quartet No. 3 in C-Sharp Minor, Sz. 85: I. Prima parte. Moderato | Béla Bartók, Belcea Quartet | B♭ Minor | 1 | 3A | 89 BPM | ||
Symphony No.1 in E Major, Op. 26: I. Lento | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | E♭ Major | 2 | 5B | 139 BPM | ||
Le sacre du printemps / Pt. 1: L'Adoration de la terre: IV. Rondes printanières | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B♭ Minor | 1 | 3A | 113 BPM |
Section: 0.7195701599121094
End: 0.7260010242462158