"Lulu / Act 1: Monoritmica "Nun?" / "Du hast eine halbe Million geheiratet"" by Alban Berg, Teresa Stratas, Robert Tear, Franz Mazura, Orchestre de l'Opéra de Paris, Pierre Boulez was released on January 1, 2000. With this song being about 5 minutes long, at 5:02, "Lulu / Act 1: Monoritmica "Nun?" / "Du hast eine halbe Million geheiratet"" by Alban Berg, Teresa Stratas, Robert Tear, Franz Mazura, Orchestre de l'Opéra de Paris, Pierre Boulez is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 36 in Berg: Lulu by Alban Berg, Teresa Stratas, Orchestre de l'Opéra de Paris, Pierre Boulez. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Lulu / Act 1: Monoritmica "Nun?" / "Du hast eine halbe Million geheiratet" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lulu / Act 1: Monoritmica "Nun?" / "Du hast eine halbe Million geheiratet" by Alban Berg, Teresa Stratas, Robert Tear, Franz Mazura, Orchestre de l'Opéra de Paris, Pierre Boulez is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
Pierrot Lunaire, Op. 21 / Part 1: IV. Eine blasse Wäscherin | Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez | B Minor | 0 | 10A | 96 BPM | ||
Requiem Canticles: Libera me | Igor Stravinsky, Sally Burgess, Roderick Williams, Simon Joly Chorale, Philharmonia Orchestra, Robert Craft | G Minor | 1 | 6A | 65 BPM | ||
Piano Trio No. 2 in E Minor, Op. 67: I. Andante - Moderato | Dmitri Shostakovich, Emanuel Ax, Isaac Stern, Yo-Yo Ma | C Major | 0 | 8B | 87 BPM | ||
Bartók: String Quartet No. 6 in D Major, Sz. 114: I. Mesto - Vivace | Béla Bartók, Belcea Quartet | G Major | 2 | 9B | 132 BPM | ||
Fantasie in C Major, D. 934: I. Andante molto | Franz Schubert, Isabelle Faust, Alexander Melnikov | C Minor | 0 | 5A | 98 BPM | ||
Die Walküre, WWV 86B, Act I: In the Sound Code, We "See" His Loving Gaze | Richard Wagner, Berliner Philharmoniker, Lorin Maazel | G Minor | 0 | 6A | 91 BPM | ||
Much ado about nothing - Incidental Music: No. 3 Dogberry and Verges | Erich Wolfgang Korngold, Gil Shaham, André Previn | G Major | 1 | 9B | 110 BPM | ||
Copland: Symphony No. 3: III. Andantino quasi allegretto - | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | E Minor | 0 | 9A | 71 BPM | ||
3 Little Pieces, Op. 11: III. Ausserst ruhig | Anton Webern, Fred Sherry, Christopher Oldfather | D♭ Major | 0 | 3B | 0 BPM |
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