"Pierrot Lunaire, Op. 21 / Part 1: IV. Eine blasse Wäscherin" by Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez was released on January 1, 1998. With Pierrot Lunaire, Op. 21 / Part 1: IV. Eine blasse Wäscherin being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "Schoenberg: Pierrot Lunaire; Herzgewächse; Ode to Napoleon". In this album, this song's track order is #4. In terms of popularity, Pierrot Lunaire, Op. 21 / Part 1: IV. Eine blasse Wäscherin is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pierrot Lunaire, Op. 21 / Part 1: IV. Eine blasse Wäscherin by Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Souvenirs, Op. 28 (version for orchestra): V. Hesitation-Tango (A Bedroom Affair) | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | A♭ Major | 0 | 4B | 177 BPM | ||
Verklärte Nacht, Op. 4: IV. Sehr breit und langsam | Arnold Schoenberg, Isabelle Faust, Anne-Katharina Schreiber, Antoine Tamestit, Danusha Waskiewicz, Jean-Guihen Queyras, Christian Poltera | D Major | 0 | 10B | 87 BPM | ||
12 Notations pour piano: I Fantasque - Modéré | Pierre Boulez, David Fray | D♭ Major | 0 | 3B | 79 BPM | ||
Shostakovich: Violin Concerto No. 1 in A Minor, Op. 77: IV. Burlesque. Allegro con brio - Presto | Dmitri Shostakovich, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | E♭ Major | 7 | 5B | 160 BPM | ||
Feu d'artifice, Op. 4 | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | A♭ Major | 0 | 4B | 83 BPM | ||
Britten: Les illuminations, Op. 18: II. Villes | Benjamin Britten, Ian Bostridge, Sir Simon Rattle, Berliner Philharmoniker | F♯ Major | 3 | 2B | 156 BPM | ||
Pictures At An Exhibition: The Tuileries Gardens | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | E♭ Minor | 0 | 2A | 105 BPM | ||
Sequenza III for female voice | Luciano Berio, Luisa Castellani | F Minor | 0 | 4A | 88 BPM | ||
Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
Fünf Lieder: Die Stille Stadt | Alma Mahler, Barbara Hannigan, Reinbert de Leeuw | D Major | 0 | 10B | 62 BPM |
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