"Fünf Lieder: Die Stille Stadt" by Alma Mahler, Barbara Hannigan, Reinbert de Leeuw had its release date on August 24, 2018. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Fünf Lieder: Die Stille Stadt's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vienna: Fin de Siècle by Barbara Hannigan, Reinbert de Leeuw. The song's track number on the album is #24 out of 31 tracks. Fünf Lieder: Die Stille Stadt is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Fünf Lieder: Die Stille Stadt by Alma Mahler, Barbara Hannigan, Reinbert de Leeuw has a tempo of 62 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Fünf Lieder: Die Stille Stadt being at 62 BPM, the half-time would be 31 BPM with a double-time of 124 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ein deutsches Requiem, Op. 45: V. Ihr habt nun Traurigkeit (Live) | Johannes Brahms, Carolyn Sampson, Cappella Amsterdam, Orchestra Of The 18th Century, Daniel Reuss | G Major | 0 | 9B | 81 BPM | ||
Two Serenades, Op.69: 2. Lento assai, Op.69 No.2 - In G Minor | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | C Minor | 0 | 5A | 104 BPM | ||
Hymne au soleil | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | D Major | 1 | 10B | 131 BPM | ||
Sechs Gesänge, Op. 107: No. 1, Herzeleid | Robert Schumann, Christian Gerhaher | C Major | 0 | 8B | 120 BPM | ||
Holberg Suite, Op. 40: 4. Air (Andante religioso) | Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 2 | 9B | 71 BPM | ||
Poèmes pour Mi, Premier Livre: No. 3, La Maison | Olivier Messiaen, Barbara Hannigan, Bertrand Chamayou | C Major | 1 | 8B | 93 BPM | ||
Rinaldo, HWV 7b: Act I Scene 5: Aria: Molto voglio, molto spero (Armida) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | A Major | 3 | 11B | 179 BPM | ||
Two Serenades, Op.69: 1. Andante assai, Op.69 No.1 - In D Major | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 0 | 10B | 108 BPM | ||
Rinaldo, HWV 7b: Act I Scene 1: Recitative: Signor, gia dal tuo senno (Rinaldo, Goffredo, Almirena) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | A Major | 3 | 11B | 179 BPM | ||
Ma mère l'oye, ballet, M. 62: 4. Petit Poucet.Très modéré | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | C Minor | 0 | 5A | 124 BPM |