George Frideric Handel, Pierre Boulez, New York Philharmonic's 'Water Music: Suite No. 1 in F Major, HWV 348, VII. Air' came out on 1975. The duration of Water Music: Suite No. 1 in F Major, HWV 348, VII. Air is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Water Music: Suite No. 1 in F Major, HWV 348, VII. Air's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Pierre Boulez's "Handel: Water Music; Royal Fireworks Music - Expanded Edition" album is number 7 out of 26. Water Music: Suite No. 1 in F Major, HWV 348, VII. Air is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Water Music: Suite No. 1 in F Major, HWV 348, VII. Air by George Frideric Handel, Pierre Boulez, New York Philharmonic to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto [No. 7] B Flat Major Hwv 306 (Op. 7, 1): Largo E Piano | Nicol Matt, Christian Schmitt, Reinhard Geller, Stuttgart Chamber Orchestra, George Frideric Handel | D Minor | 0 | 7A | 115 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: VI. Giga: Vivace | Arcangelo Corelli, Daniela Ruso, Ludovit Kanta, Anna Holbling, Quido Holbling, Capella Istropolitana | B♭ Major | 1 | 6B | 59 BPM | ||
Oboe Concerto in D minor - Allegro | Alessandro Marcello, Senia Trubashnik, Luxembourg Radio Symphony Orchestra, Kurt Redel | C Minor | 3 | 5A | 100 BPM | ||
Purcell: Dido and Aeneas, Z. 626: Overture | Henry Purcell, Emmanuelle Haïm, Le Concert d'Astrée | B Minor | 3 | 10A | 100 BPM | ||
Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo Muti | C Major | 0 | 8B | 65 BPM | ||
Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace | Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink | A Major | 1 | 11B | 179 BPM | ||
Offerte non encore exécutée, H.522 | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 79 BPM | ||
Trio Sonata for 2 Violins and Continuo in G Minor, HWV 393 "Dresden" No. 2: III. Largo (Arr. for Oboe, Violin, Harpsichord and Orchestra by Andreas Tarkmann) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | B♭ Major | 2 | 6B | 143 BPM | ||
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM |
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