Henry Purcell, Emmanuelle Haïm, Le Concert d'Astrée's 'Purcell: Dido and Aeneas, Z. 626: Overture' came out on 2003. The duration of Purcell: Dido and Aeneas, Z. 626: Overture is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Purcell: Dido and Aeneas, Z. 626: Overture's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Purcell: Dido and Aeneas, Z. 626: Overture is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Purcell: Dido and Aeneas, Z. 626: Overture by Henry Purcell, Emmanuelle Haïm, Le Concert d'Astrée having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quintetto No. 4 in Re Maggiore "Fandango" per Corda e Chitarra, G. 448: Pastorale | Luigi Boccherini, Jordi Savall, Rolf Lislevand, Le Concert Des Nations | A Major | 0 | 11B | 128 BPM | ||
Noel Symphony No. 4 in D Minor: I. Une jeune pucelle: Moderato | Michel Corrette, Arion Trio | D♭ Minor | 1 | 12A | 106 BPM | ||
Torelli: Trumpet Concerto in D Major, G. 28 "Estienne Roger": I. Allegro | Giuseppe Torelli, Alison Balsom, Deutsche Kammerphilharmonie Bremen | D Major | 3 | 10B | 102 BPM | ||
Concerto for Violin and Strings in E Major, Op. 8, No. 1, RV 269 "La Primavera": 3. Allegro (Danza pastorale) | Antonio Vivaldi, Simon Standage, The English Concert, Trevor Pinnock | E♭ Major | 1 | 5B | 105 BPM | ||
Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra) | George Frideric Handel, Natalie Dessay, Le Concert d'Astrée, Emmanuelle Haïm | E♭ Major | 1 | 5B | 88 BPM | ||
Cello Concerto in B flat, G.482: 2. Adagio non Troppo | Luigi Boccherini, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | G Minor | 1 | 6A | 90 BPM | ||
Concerto in D Major, RV 90, "Il gardellino": II. Largo | Antonio Vivaldi, Béla Drahos, Nicolaus Esterhazy Sinfonia | D Major | 1 | 10B | 90 BPM | ||
Monteverdi: L'Orfeo, favola in musica, SV 318, Prologue: Ritornello (1) | Claudio Monteverdi, Alice Coote, Emmanuelle Haïm | B Major | 0 | 1B | 110 BPM | ||
Dido and Aeneas, Z. 626: Act III: The Witches' Dance | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | A Major | 0 | 11B | 102 BPM | ||
Lachrimae Antiquae from Lachrimae, or Seaven Teares | John Dowland, Fretwork, Christopher Wilson | G Minor | 0 | 6A | 97 BPM |
Section: 0.7143197059631348
End: 0.7178351879119873