"Kammerkonzert pour treize instrumentistes: I. Corrente" by György Ligeti, Jeanne-Marie Conquer, Diego Tosi, Odile Auboin, Eric Maria Couturier, Nicolas Crosse, Emmanuelle Ophele, Philippe Grauvogel, Alain Billard, Jérôme Comte, Jens McManama, Lucas Ounissi, Hideki Nagano, Sébastien Vichard was released on March 22, 2024. With this song being about 5 minutes long, at 5:14, "Kammerkonzert pour treize instrumentistes: I. Corrente" by György Ligeti, Jeanne-Marie Conquer, Diego Tosi, Odile Auboin, Eric Maria Couturier, Nicolas Crosse, Emmanuelle Ophele, Philippe Grauvogel, Alain Billard, Jérôme Comte, Jens McManama, Lucas Ounissi, Hideki Nagano, Sébastien Vichard is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in György Ligeti, Ensemble Intercontemporain, Pierre Bleuse's "Ligeti" album is number 1 out of 37. On top of that, France appears to be the country where this track was created. Based on our statistics, Kammerkonzert pour treize instrumentistes: I. Corrente's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kammerkonzert pour treize instrumentistes: I. Corrente by György Ligeti, Jeanne-Marie Conquer, Diego Tosi, Odile Auboin, Eric Maria Couturier, Nicolas Crosse, Emmanuelle Ophele, Philippe Grauvogel, Alain Billard, Jérôme Comte, Jens McManama, Lucas Ounissi, Hideki Nagano, Sébastien Vichard to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sea Theme Vox Balaenae | George Crumb, Ensemble für Neue Musik Zürich | D♭ Major | 0 | 3B | 130 BPM | ||
Twelve Preludes For Piano (1953): I | Galina Ustvolskaya, Marianne Schroeder | D Minor | 0 | 7A | 68 BPM | ||
For Children, Vol. 2, Sz. 42 (Excerpts) [Original Version]: No. 34, Evening Kiss. Andante | Béla Bartók, Fülöp Ránki | D Major | 1 | 10B | 73 BPM | ||
Lamentate: Fragile e conciliante | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | D♭ Minor | 0 | 12A | 62 BPM | ||
Sonatas for String Quartet: I. Alpha | Brian Ferneyhough, Arditti Quartet | G Minor | 0 | 6A | 176 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of Abduction | Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 103 BPM | ||
Music of Changes: I | John Cage, David Tudor | B♭ Minor | 0 | 3A | 115 BPM | ||
3 Utwory w dawnym stylu (3 Pieces in Old Style): II. — | Henryk Górecki, Polish National Radio Symphony Orchestra, Antoni Wit | F Major | 2 | 7B | 176 BPM | ||
Six Little Piano Pieces, Op. 19: Leicht, zart | Arnold Schoenberg, Paul Jacobs | G Major | 0 | 9B | 76 BPM | ||
Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM |
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