Arnold Schoenberg, Paul Jacobs's 'Six Little Piano Pieces, Op. 19: Leicht, zart' came out on 1975. With Six Little Piano Pieces, Op. 19: Leicht, zart being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Schoenberg: Piano Music". In this album, this song's track order is #4. Six Little Piano Pieces, Op. 19: Leicht, zart is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Six Little Piano Pieces, Op. 19: Leicht, zart by Arnold Schoenberg, Paul Jacobs having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aus tiefer Not schrei ich zu dir, BWV 687 | Johann Sebastian Bach, Márta Kurtág, György Kurtág | B Minor | 0 | 10A | 79 BPM | ||
Concerto for Saxophone - Quartet: Movevement III | Philip Glass, The Raschèr Saxophone Quartet, Andrew Sterman, Jon Gibson, Richard Peck | F Major | 1 | 7B | 72 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
3 Places in New England: No. 2 Putnam's Camp, Redding, Connecticut | Charles Ives, Orpheus Chamber Orchestra, Gilbert Kalish | C Minor | 3 | 5A | 121 BPM | ||
Schoenberg: 5 Orchestral Pieces, Op. 16: No. 3 Farben (Colours) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A Major | 0 | 11B | 72 BPM | ||
Schnittke: String Quartet No. 3: I. Andante | Alfred Schnittke, Borodin Quartet | G Major | 1 | 9B | 85 BPM | ||
Hoy la tierra y los cielos me sonrien | Federico Mompou, Arcadi Volodos | E♭ Major | 0 | 5B | 66 BPM | ||
Six Encores: Wasserklavier | Luciano Berio, Andrea Lucchesini | D♭ Major | 0 | 3B | 82 BPM | ||
Piano Sonata No. 7 in B-Flat Major, Op. 83: 3. Precipitato | Sergei Prokofiev, Yuja Wang | A♭ Major | 3 | 4B | 93 BPM | ||
24 Preludes and Fugues, Op. 87: Fugue No. 2 in A Minor: Allegretto | Dmitri Shostakovich, Konstantin Scherbakov | B♭ Major | 2 | 6B | 74 BPM |
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