John Cage, David Tudor's 'Music of Changes: I' came out on 2012. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in John Cage, David Tudor's "John Cage: Music of Changes" album is number 1 out of 4. In terms of popularity, Music of Changes: I is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Music of Changes: I by John Cage, David Tudor to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet, "1931": IV. Allegro possibile | Ruth Crawford Seeger, Pacifica Quartet | D Minor | 1 | 7A | 102 BPM | ||
Eleven Intrusions I: Study on Olympos' Pentatonic | Harry Partch, Betty Johnston, Donald Pippin, Bill Snead, Ben Johnston | E♭ Major | 2 | 5B | 100 BPM | ||
Quartet: I. Moderate | John Cage, Empty Words Percussion Ensemble, Sergio Armaroli, Andrea Dulbecco, Maurizio Ben Omar, Elio Marchesini | G Major | 0 | 9B | 89 BPM | ||
Paris | Meredith Monk, Ursula Oppens | A Minor | 1 | 8A | 69 BPM | ||
Black Angels: I. Departure | George Crumb, Kronos Quartet | B♭ Minor | 2 | 3A | 120 BPM | ||
Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: III | Morton Feldman, Ensemble Recherche | D Major | 0 | 10B | 136 BPM | ||
Orpheus: Scene I: Lento sostenuto | Igor Stravinsky, London Symphony Orchestra, Robert Craft | E Minor | 0 | 9A | 63 BPM | ||
String Quartet in G Minor, Op. 10: II. Assez vif et bien rythmé | Claude Debussy, Quatuor Ébène | C Minor | 2 | 5A | 160 BPM | ||
Umi e (Toward the Sea): III - Cape Cod | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | A♭ Major | 0 | 4B | 73 BPM | ||
Sinfonietta No. 2: I. Notturno: Adagio | Krzysztof Penderecki, Artur Pachlewski, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | B♭ Minor | 0 | 3A | 76 BPM |
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