"Orpheus: Scene I: Lento sostenuto" by Igor Stravinsky, London Symphony Orchestra, Robert Craft was released on May 1, 2005. The duration of Orpheus: Scene I: Lento sostenuto is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Orpheus: Scene I: Lento sostenuto's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 39 in the song's album "Stravinsky: Apollo - Agon - Orpheus". In this album, this song's track order is #27. Furthermore, we believe that the track originated from Hong Kong. Orpheus: Scene I: Lento sostenuto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orpheus: Scene I: Lento sostenuto by Igor Stravinsky, London Symphony Orchestra, Robert Craft having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ligeti: 6 Bagatelles for Wind Quintet: I. Allegro con spirito | György Ligeti, Les Vents Français | C Major | 2 | 8B | 173 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: III. A tempo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | B♭ Minor | 1 | 3A | 86 BPM | ||
D'un soir triste | Lili Boulanger, Luxembourg Philharmonic Orchestra, Mark Stringer | C Major | 1 | 8B | 84 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 81 BPM | ||
El amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night) | Manuel de Falla, Alicia Nafé, Asturias Symphony Orchestra, Maximiano Valdes | A♭ Major | 0 | 4B | 89 BPM | ||
3 Places in New England: No. 1 The "St. Gaudens" in Boston Common (Col. Shaw and his Colored Regiment) | Charles Ives, Orpheus Chamber Orchestra, Gilbert Kalish | A Minor | 0 | 8A | 75 BPM | ||
Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Andrew Marriner, Jaime Martin, London Symphony Orchestra | G Major | 2 | 9B | 197 BPM | ||
5 Pieces for Orchestra, Op.16 - Original version of 1909: 1. Vorgefühle | Arnold Schoenberg, Cleveland Orchestra, Christoph von Dohnányi | D♭ Major | 3 | 3B | 72 BPM | ||
Fantastic Dance | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | G Major | 1 | 9B | 72 BPM | ||
String Quartet No. 1, Op. 20: I. Allegro violento ed agitato | Alberto Ginastera, Enso String Quartet | G Major | 3 | 9B | 157 BPM |
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