"Götterdämmerung / Act 2: "Ha! Dieser war es, der mir den Ring entriß" - Live In Bayreuth / 1967" by Richard Wagner, Wolfgang Windgassen, Thomas Stewart, Josef Greindl, Birgit Nilsson, Ludmilla Dvorakova, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Karl Böhm was released on January 1, 1973. Since Götterdämmerung / Act 2: "Ha! Dieser war es, der mir den Ring entriß" - Live In Bayreuth / 1967 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Götterdämmerung by Richard Wagner, Wolfgang Windgassen, Thomas Stewart, Gustav Neidlinger, Josef Greindl, Birgit Nilsson, Bayreuth Festival Orchestra, Karl Böhm. The song's track number on the album is #9 out of 44 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. In terms of popularity, Götterdämmerung / Act 2: "Ha! Dieser war es, der mir den Ring entriß" - Live In Bayreuth / 1967 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Götterdämmerung / Act 2: "Ha! Dieser war es, der mir den Ring entriß" - Live In Bayreuth / 1967 by Richard Wagner, Wolfgang Windgassen, Thomas Stewart, Josef Greindl, Birgit Nilsson, Ludmilla Dvorakova, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Karl Böhm has a tempo of 96 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Götterdämmerung / Act 2: "Ha! Dieser war es, der mir den Ring entriß" - Live In Bayreuth / 1967 being at 96 BPM, the half-time would be 48 BPM with a double-time of 192 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Götterdämmerung, WWV 86D, Act III: Vorspiel | Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 64 BPM | ||
Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | Ludwig van Beethoven, Wiener Philharmoniker, Karl Böhm | F Major | 1 | 7B | 120 BPM | ||
Alexander Nevsky, Op. 78: VI. Field Of The Dead | Sergei Prokofiev, Elena Obraztsova, London Symphony Orchestra, Claudio Abbado | C Minor | 0 | 5A | 77 BPM | ||
La Damnation de Faust, Op. 24, H. 111, Pt. I, Scène III: Marche hongroise (Hungarian March) | Hector Berlioz, London Symphony Orchestra, Sir Simon Rattle | A Major | 1 | 11B | 92 BPM | ||
Symphony No.3 in F, Op.90: 3. Poco allegretto | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Minor | 1 | 5A | 82 BPM | ||
Kindertotenlieder (Rückert) (1999 Digital Remaster): I: Nun will die Sonn' so hell aufgeh'n | Gustav Mahler, Dame Janet Baker, Hallé, Sir John Barbirolli | G Minor | 0 | 6A | 88 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Prokofiev: Romeo and Juliet, Op. 64, Act 1, Scene 1: Introduction | Sergei Prokofiev, André Previn, London Symphony Orchestra | B Major | 0 | 1B | 105 BPM | ||
Carmina Burana / II. In Taberna: "In taberna quando sumus" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | F Major | 4 | 7B | 134 BPM | ||
Symphony No. 8 in C Minor, Op. 65: III. Allegro non troppo | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | F Major | 5 | 7B | 167 BPM |
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