"Götterdämmerung, WWV 86D, Act III: Vorspiel" by Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden was released on November 9, 2018. The duration of Götterdämmerung, WWV 86D, Act III: Vorspiel is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Götterdämmerung, WWV 86D, Act III: Vorspiel's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wagner: Götterdämmerung, WWV 86D by Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden, Eric Halfvarson, Daniel Brenna. The song's track number on the album is #1 out of 48 tracks. Götterdämmerung, WWV 86D, Act III: Vorspiel is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Götterdämmerung, WWV 86D, Act III: Vorspiel by Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden has a tempo of 64 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Götterdämmerung, WWV 86D, Act III: Vorspiel being at 64 BPM, the half-time would be 32 BPM with a double-time of 128 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elgar: Variations on an Original Theme, Op. 36, "Enigma": XIV. E.D.U. (The Composer). Allegro presto (Finale) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Major | 3 | 9B | 73 BPM | ||
Tristan und Isolde / Act 2: "O sink hernieder, Nacht der Liebe" | Richard Wagner, Deborah Voigt, Thomas Moser, Vienna State Opera Orchestra, Christian Thielemann | A♭ Major | 1 | 4B | 67 BPM | ||
Wagner: Tannhäuser, Act 3: "Wie Todesahnung … O du, mein holder Abendstern" (Wolfram) | Richard Wagner, Dietrich Fischer-Dieskau, Orchester Der Staatsoper Berlin, Franz Konwitschny, Staatsopernorchester Berlin | C Minor | 3 | 5A | 133 BPM | ||
Taras Bulba: 3. The Prophecy And The Death Of Taras Bulba | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D♭ Major | 3 | 3B | 132 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Abscheulicher! Wo eilst du hin? | Ludwig van Beethoven, Nina Stemme, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Major | 1 | 12B | 165 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 7 (orch. Schmeling) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | F Major | 1 | 7B | 167 BPM | ||
Scheherazade: Storm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | C Major | 4 | 8B | 91 BPM | ||
Das Liebesverbot, WWV 38: Overture | Richard Wagner, Raimund Grumbach, Marianne Seibel, Hermann Sapell, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Hermann Prey, Wolfgang Fassler, Robert Schunk, Friedrich Lenz, Kieth Engen, Sabine Hass, Pamela Coburn, Alfred Kuhn, Wolfgang Sawallisch | D Major | 5 | 10B | 137 BPM | ||
Pictures at an Exhibition: Gnomus | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 85 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Veni creator spiritus" | Gustav Mahler, Vienna State Opera Chorus, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 5 | 4B | 132 BPM |
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