- BPM
- 132
- Key
- D♭ Major
- Camelot
- 3B
Taras Bulba: 3. The Prophecy And The Death Of Taras Bulba - Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik Information
- Acousticness
- 96%
- Danceability
- 21%
- Energy
- 25%
- Instrumentalness
- 85%
- Liveness
- 9%
- Loudness
- 77%
- Speechiness
- 3%
- Valence
- 6%
- Popularity
- 11%
- Loudness
- -13.651 dB
Summary
"Taras Bulba: 3. The Prophecy And The Death Of Taras Bulba" by Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik was released on 1970. Since Taras Bulba: 3. The Prophecy And The Death Of Taras Bulba is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik's "Janácek: Sinfonietta; Taras Bulba" album is number 8 out of 8. Based on our statistics, Taras Bulba: 3. The Prophecy And The Death Of Taras Bulba's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Taras Bulba: 3. The Prophecy And The Death Of Taras Bulba BPM
We consider the tempo marking of Taras Bulba: 3. The Prophecy And The Death Of Taras Bulba by Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Taras Bulba: 3. The Prophecy And The Death Of Taras Bulba Key
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Khachaturian: Children's Album, Book I, Op. 62: No. 1, Andantino | Aram Khachaturian, Alexandre Tharaud | A♭ Major | 0 | 4B | 90 BPM | |
 | Berceuse in D-Flat Major, Op. 57 | Frédéric Chopin, Maurizio Pollini | D♭ Major | 1 | 3B | 69 BPM | |
 | Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | |
 | Valse Fantaisie, Op.49 | Raoul Koczalski, Ingolf Wunder | B Minor | 0 | 10A | 66 BPM | |
 | Schumann: Davidsbündlertänze, Op. 6, Heft II: No. 14, Zart und singend | Robert Schumann, Jonathan Biss | E♭ Major | 0 | 5B | 135 BPM | |
 | The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 2: Bozinku, ten je hezké! | Leoš Janáček, Lucia Popp, Eva Randová, Wiener Philharmoniker, Sir Charles Mackerras | D♭ Major | 1 | 3B | 113 BPM | |
 | 6 Lieder, Op. 57: 5. Venetianisches Gondellied, MWV K114 | Felix Mendelssohn, Harriet Krijgh, Magda Amara | B Minor | 1 | 10A | 86 BPM | |
 | Du bist die Ruh', D. 776 (Transc. for Cello & Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | B♭ Major | 0 | 6B | 171 BPM | |
 | Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | |
 | 24 Preludes, Op. 11: No. 4 in E Minor | Alexander Scriabin, Evgeny Zarafiants | F Major | 1 | 7B | 99 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.68105149269104
End: 0.6852755546569824