The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 2: Bozinku, ten je hezké!
Leoš Janáček, Lucia Popp, Eva Randová, Wiener Philharmoniker, Sir Charles Mackerras
Janácek: The Cunning Little Vixen
2:36 January 1, 1982
BPM
113
Key
D♭ Major
Camelot
3B

Embed

Share Link

The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 2: Bozinku, ten je hezké! - Leoš Janáček, Lucia Popp, Eva Randová, Wiener Philharmoniker, Sir Charles Mackerras Information

Acousticness
95%
Danceability
33%
Energy
7%
Instrumentalness
0%
Liveness
21%
Loudness
61%
Speechiness
4%
Valence
7%
Popularity
Loudness
-23.499 dB

Summary

"The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 2: Bozinku, ten je hezké!" by Leoš Janáček, Lucia Popp, Eva Randová, Wiener Philharmoniker, Sir Charles Mackerras was released on January 1, 1982. The duration of The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 2: Bozinku, ten je hezké! is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 2: Bozinku, ten je hezké!'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leoš Janáček, Lucia Popp, Dalibor Jedlicka, Wiener Philharmoniker, Sir Charles Mackerras's "Janácek: The Cunning Little Vixen" album is number 17 out of 31. In terms of popularity, The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 2: Bozinku, ten je hezké! is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 2: Bozinku, ten je hezké! BPM

We consider the tempo marking of The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 2: Bozinku, ten je hezké! by Leoš Janáček, Lucia Popp, Eva Randová, Wiener Philharmoniker, Sir Charles Mackerras to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.

The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 2: Bozinku, ten je hezké! Key

This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Rigaudons I, II & Double by Jean-Philippe Rameau, Víkingur ÓlafssonRigaudons I, II & DoubleJean-Philippe Rameau, Víkingur ÓlafssonE Major312B106 BPM
Nocturne No. 12 In G Major, H. 58d: Nocturne No. 12 In G Major by Benjamin Frith, John FieldNocturne No. 12 In G Major, H. 58d: Nocturne No. 12 In G MajorBenjamin Frith, John FieldG Major09B125 BPM
On an Overgrown Path, JW VIII/17, Book 1: No. 7, Good Night! by Leoš Janáček, Lars VogtOn an Overgrown Path, JW VIII/17, Book 1: No. 7, Good Night!Leoš Janáček, Lars VogtG Major09B129 BPM
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace by Antonín Dvořák, London Symphony Orchestra, Sir Colin DavisSymphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivaceAntonín Dvořák, London Symphony Orchestra, Sir Colin DavisG Major19B130 BPM
3 Pieces, Op. 2: No. 1 in C-Sharp Minor by Alexander Scriabin, Garrick Ohlsson3 Pieces, Op. 2: No. 1 in C-Sharp MinorAlexander Scriabin, Garrick OhlssonD♭ Minor012A128 BPM
Intimate Sketches: No. 11, My Olga by Leoš Janáček, Olena KushplerIntimate Sketches: No. 11, My OlgaLeoš Janáček, Olena KushplerN/AN/AN/A0 BPM
Adagio in F, H.XVII No.9 by Franz Joseph Haydn, Alfred BrendelAdagio in F, H.XVII No.9Franz Joseph Haydn, Alfred BrendelF Major07B71 BPM
13 Pieces, Op. 76: No. 1 Esquisse by Jean Sibelius, Håvard Gimse13 Pieces, Op. 76: No. 1 EsquisseJean Sibelius, Håvard GimseA Major111B141 BPM
Schwanengesang, S. 560: VII. Ständchen (2nd Version, After Schubert D. 957/4) by Franz Liszt, Angela HewittSchwanengesang, S. 560: VII. Ständchen (2nd Version, After Schubert D. 957/4)Franz Liszt, Angela HewittA Major211B143 BPM
Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": III. Molto allegroCamille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De FranceG Major09B130 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 1.0552663803100586

End: 1.0595779418945312