"The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 2: Bozinku, ten je hezké!" by Leoš Janáček, Lucia Popp, Eva Randová, Wiener Philharmoniker, Sir Charles Mackerras was released on January 1, 1982. The duration of The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 2: Bozinku, ten je hezké! is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 2: Bozinku, ten je hezké!'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leoš Janáček, Lucia Popp, Dalibor Jedlicka, Wiener Philharmoniker, Sir Charles Mackerras's "Janácek: The Cunning Little Vixen" album is number 17 out of 31. In terms of popularity, The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 2: Bozinku, ten je hezké! is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 2: Bozinku, ten je hezké! by Leoš Janáček, Lucia Popp, Eva Randová, Wiener Philharmoniker, Sir Charles Mackerras to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigaudons I, II & Double | Jean-Philippe Rameau, Víkingur Ólafsson | E Major | 3 | 12B | 106 BPM | ||
Nocturne No. 12 In G Major, H. 58d: Nocturne No. 12 In G Major | Benjamin Frith, John Field | G Major | 0 | 9B | 125 BPM | ||
On an Overgrown Path, JW VIII/17, Book 1: No. 7, Good Night! | Leoš Janáček, Lars Vogt | G Major | 0 | 9B | 129 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
3 Pieces, Op. 2: No. 1 in C-Sharp Minor | Alexander Scriabin, Garrick Ohlsson | D♭ Minor | 0 | 12A | 128 BPM | ||
Intimate Sketches: No. 11, My Olga | Leoš Janáček, Olena Kushpler | N/A | N/A | N/A | 0 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
13 Pieces, Op. 76: No. 1 Esquisse | Jean Sibelius, Håvard Gimse | A Major | 1 | 11B | 141 BPM | ||
Schwanengesang, S. 560: VII. Ständchen (2nd Version, After Schubert D. 957/4) | Franz Liszt, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": III. Molto allegro | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Major | 0 | 9B | 130 BPM |
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