21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 7 (orch. Schmeling) - Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar Information

Acousticness: 97%
Danceability: 39%
Energy: 10%
Instrumentalness: 93%
Liveness: 16%
Loudness: 67%
Speechiness: 6%
Valence: 56%
Popularity: 14%
Loudness: -19.987 dB

Summary

Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar's ' "21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 7 (orch. Schmeling)" was released on its scheduled release date, June 25, 1988. With This song being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 21 in Brahms: Hungarian Dances Nos. 1-21 by Johannes Brahms, Istvan Bogar. The popularity of 21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 7 (orch. Schmeling) is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 7 (orch. Schmeling) BPM

The tempo marking of 21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 7 (orch. Schmeling) by Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar is Vivace (lively and fast), since this song has a tempo of 167 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.

21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 7 (orch. Schmeling) Key

This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Violin Concerto No. 1 in F Sharp Minor, Op.14 (1985 - Remaster): III. Rondo (Allegro giocoso)	Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra	F♯ Minor	1	11A	105 BPM
Die Extravaganten, Walzer, Op. 205	Johann Strauss II, Gustavo Dudamel, Wiener Philharmoniker	E♭ Major	2	5B	101 BPM
La Bayadere: Variation 4: Allegretto	Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov	A Major	0	11B	91 BPM
Grieg: Peer Gynt Suite No. 2, Op. 55: I. The Abduction of the Bride - Ingrid's Lament	Edvard Grieg, The Norwegian Radio Orchestra, Ari Rasilainen	G Major	1	9B	134 BPM
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato)	Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner	C Minor	1	5A	84 BPM
Eine Symphonie zu Dantes Divina Commedia, S109/R426, "Dante Symphony": II. Magnificat: L'istesso tempo	Franz Liszt, Veronika Kincses, Hungarian Radio and Television Ladies Chorus, Budapest Symphony Orchestra, György Lehel	E Major	1	12B	102 BPM
Papillons, Op. 2: XII. Finale	Robert Schumann, Boris Giltburg	D Major	0	10B	129 BPM
Hungarian Dance No.12 in D Minor, WoO 1	Johannes Brahms, Wiener Philharmoniker, Claudio Abbado	D Minor	1	7A	75 BPM
Triumphal Symphony in E Major, Op. 6: II. Largo maestoso	Bedřich Smetana, Berlin Radio Symphony Orchestra, Darrell Ang	G Major	1	9B	115 BPM
Peter and the Wolf, Op. 67 (Without Narration): And after them Grandfather, complaining, and the Cat	Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard	G Major	0	9B	112 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records