"Grieg: Peer Gynt Suite No. 2, Op. 55: I. The Abduction of the Bride - Ingrid's Lament" by Edvard Grieg, The Norwegian Radio Orchestra, Ari Rasilainen was released on February 22, 2013. With this song being about 5 minutes long, at 4:58, "Grieg: Peer Gynt Suite No. 2, Op. 55: I. The Abduction of the Bride - Ingrid's Lament" by Edvard Grieg, The Norwegian Radio Orchestra, Ari Rasilainen is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 27 in Edvard Grieg - Ultima by Edvard Grieg, Ari Rasilainen, Csaba & Gèza Szilvay, Juha Kangas, The Norwegian Radio Orchestra, Ostrobothnian Chamber Orchestra, The Helsinki Strings. Going off of the ISRC code of this track, we detected that the origin of this track is from Finland. Based on our statistics, Grieg: Peer Gynt Suite No. 2, Op. 55: I. The Abduction of the Bride - Ingrid's Lament's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Grieg: Peer Gynt Suite No. 2, Op. 55: I. The Abduction of the Bride - Ingrid's Lament by Edvard Grieg, The Norwegian Radio Orchestra, Ari Rasilainen is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): I. Pastorale | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A Major | 0 | 11B | 117 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, San Francisco Symphony, Michael Tilson Thomas | F♯ Minor | 0 | 11A | 62 BPM | ||
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Introduction - Thema | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | B♭ Minor | 1 | 3A | 136 BPM | ||
Prelude In D Major, BWV 925 : Prelude In D Major, BWV 925 | Janos Sebestyen, Johann Sebastian Bach | D Major | 3 | 10B | 139 BPM | ||
Symphony No. 3 in F Major, Op. 90: IV. Allegro | Johannes Brahms, David Zinman | F Major | 1 | 7B | 80 BPM | ||
Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Emmanuelle Bertrand, Pascal Amoyel | B♭ Major | 0 | 6B | 89 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
II. Passacaglia "Death of Falstaff" | William Walton, Michaela Rózsa Růžičková, Czech Symphony Orchestra | E Minor | 1 | 9A | 109 BPM | ||
Holberg Suite, Op. 40 (Version for Piano): V. Rigaudon. Allegro con brio | Edvard Grieg, Andrey Gugnin | F♯ Major | 0 | 2B | 65 BPM |
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