Johann Strauss II, Gustavo Dudamel, Wiener Philharmoniker's 'Die Extravaganten, Walzer, Op. 205' came out on January 9, 2017. Since Die Extravaganten, Walzer, Op. 205 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 21 in the song's album "New Year's Concert 2017 / Neujahrskonzert 2017". In this album, this song's track order is #2. In terms of popularity, Die Extravaganten, Walzer, Op. 205 is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Die Extravaganten, Walzer, Op. 205 by Johann Strauss II, Gustavo Dudamel, Wiener Philharmoniker having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rhapsody on a Theme of Paganini, Op. 43: Var. 24. A tempo un poco meno mosso | Sergei Rachmaninoff, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | D Major | 1 | 10B | 129 BPM | ||
Der Freischütz, J. 277 / Act I: Walzer | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | A Major | 4 | 11B | 182 BPM | ||
Carolinen-Galopp, Op. 21a | Johann Strauss I, Daniel Barenboim, Wiener Philharmoniker | B♭ Major | 2 | 6B | 151 BPM | ||
Die Landstreicher: Overture | Carl Michael Ziehrer, WDR Sinfonieorchester Köln, Helmuth Froschauer | E♭ Major | 3 | 5B | 124 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): V. La garde montante | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Bauern-Polka, Op. 276 - track time includes applause | Johann Strauss II, Wiener Philharmoniker, Carlos Kleiber | G Major | 5 | 9B | 103 BPM | ||
Don Quixote: Act I: A square in Barcelona | Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov | G Major | 1 | 9B | 142 BPM | ||
Kaiser (Emperor), Op. 437 : Kaiserwalzer | Polish State Philharmonic Orchestra, Katowice, Johann Strauss II | C Major | 0 | 8B | 95 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: 3. Skocná. Allegro | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | F Major | 3 | 7B | 97 BPM | ||
Le carnaval des animaux, R. 125: I. Introduction - II. Poules et Coqs - III. Hémiones | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | C Major | 2 | 8B | 96 BPM |
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