"Peter and the Wolf, Op. 67 (Without Narration): And after them Grandfather, complaining, and the Cat" by Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard was released on July 3, 2015. The duration of Peter and the Wolf, Op. 67 (Without Narration): And after them Grandfather, complaining, and the Cat is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Peter and the Wolf, Op. 67 (Without Narration): And after them Grandfather, complaining, and the Cat's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Prokofiev: Peter and the Wolf, Op. 67 (Without Narration)". In this album, this song's track order is #21. In terms of popularity, Peter and the Wolf, Op. 67 (Without Narration): And after them Grandfather, complaining, and the Cat is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Peter and the Wolf, Op. 67 (Without Narration): And after them Grandfather, complaining, and the Cat by Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Prelude: Allegro - Meno mosso - Alla breve [Allegro] - Adagio - | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 143 BPM | ||
Carnival of the Animals, R. 125: I. Introduction & Royal March of the Lion | Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 1 | 9B | 140 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 76 BPM | ||
4 Dance Episodes from Rodeo: II. Corral Nocturne | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 92 BPM | ||
Divertimento: V: Turkey Trot: Allegretto, ben misurato | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Romeo and Juliet, Op. 64 (Excerpts): The Balcony Scene | Sergei Prokofiev, Esa-Pekka Salonen | C Major | 0 | 8B | 80 BPM | ||
Appalachian Spring: VIII. Coda. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 106 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Carnival of the Animals, R. 125: XIII. The Swan | Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 79 BPM | ||
Giselle: Act II: Valse | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | B♭ Major | 1 | 6B | 85 BPM |
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