Franz Schubert, Renée Fleming, Christoph Eschenbach made "Die Forelle, D. 550" available on January 1, 1997. The duration of Die Forelle, D. 550 is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Die Forelle, D. 550's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Schubert: Lieder - Ave Maria; Die Forelle; Heidenröslein; Gretchen am Spinnrade; Der Tod und das Mädchen". In this album, this song's track order is #2. The popularity of Die Forelle, D. 550 is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Die Forelle, D. 550 by Franz Schubert, Renée Fleming, Christoph Eschenbach having a BPM of 166 with a half-time of 83 BPM and a double-time of 332 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": III. Con moto moderato | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | A Major | 0 | 11B | 69 BPM | ||
Faust / Act 3: "Ah! Je ris de me voir" | Charles Gounod, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM | ||
Bach: Brandenburg Concerto No. 2 in F Major, BWV 1047: I. (without tempo indication) | Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | E Major | 3 | 12B | 97 BPM | ||
Carnival Overture, Op. 92 | Antonín Dvořák, Leonard Bernstein, New York Philharmonic | D Major | 3 | 10B | 145 BPM | ||
Mendelssohns Lieder, S. 547: Auf Flugeln des Gesanges (from Op. 34, No. 2) | Franz Liszt, Joseph Banowetz | A♭ Major | 0 | 4B | 149 BPM | ||
Carmina Burana / Blanziflor et Helena: "Ave formosissima" | Carl Orff, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | E Minor | 3 | 9A | 101 BPM | ||
Myrthen, Op. 25: 24. Du bist wie eine Blume | Robert Schumann, Dietrich Fischer-Dieskau, Christoph Eschenbach | F♯ Major | 0 | 2B | 131 BPM | ||
Die Fledermaus / Act I: Nr. 4 Terzett: "So muss allein ich bleiben" | Johann Strauss II, Julia Varady, Lucia Popp, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | C Major | 2 | 8B | 131 BPM | ||
Addio del passato - Violetta | Giuseppe Verdi, Anna Netrebko | A Minor | 0 | 8A | 92 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | F Minor | 2 | 4A | 117 BPM |
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