Die Forelle, D. 550 - Franz Schubert, Renée Fleming, Christoph Eschenbach Information

Acousticness
99%
Danceability
42%
Energy
4%
Instrumentalness
0%
Liveness
8%
Loudness
58%
Speechiness
13%
Valence
57%
Popularity
Loudness
-25.036 dB

Summary

Franz Schubert, Renée Fleming, Christoph Eschenbach made "Die Forelle, D. 550" available on January 1, 1997. The duration of Die Forelle, D. 550 is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Die Forelle, D. 550's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Schubert: Lieder - Ave Maria; Die Forelle; Heidenröslein; Gretchen am Spinnrade; Der Tod und das Mädchen". In this album, this song's track order is #2. The popularity of Die Forelle, D. 550 is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Die Forelle, D. 550 BPM

With Die Forelle, D. 550 by Franz Schubert, Renée Fleming, Christoph Eschenbach having a BPM of 166 with a half-time of 83 BPM and a double-time of 332 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.

Die Forelle, D. 550 Key

D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Symphony No. 4 in A Major, Op. 90, MWV N 16, Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": III. Con moto moderatoFelix Mendelssohn, London Symphony Orchestra, Claudio AbbadoA Major011B69 BPM
Faust / Act 3: Faust / Act 3: "Ah! Je ris de me voir"Charles Gounod, Renée Fleming, English Chamber Orchestra, Jeffrey TateG Major39B76 BPM
Bach: Brandenburg Concerto No. 2 in F Major, BWV 1047: I. (without tempo indication) by Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of EnlightenmentBach: Brandenburg Concerto No. 2 in F Major, BWV 1047: I. (without tempo indication)Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of EnlightenmentE Major312B97 BPM
Carnival Overture, Op. 92 by Antonín Dvořák, Leonard Bernstein, New York PhilharmonicCarnival Overture, Op. 92Antonín Dvořák, Leonard Bernstein, New York PhilharmonicD Major310B145 BPM
Mendelssohns Lieder, S. 547: Auf Flugeln des Gesanges (from Op. 34, No. 2) by Franz Liszt, Joseph BanowetzMendelssohns Lieder, S. 547: Auf Flugeln des Gesanges (from Op. 34, No. 2)Franz Liszt, Joseph BanowetzA♭ Major04B149 BPM
Carmina Burana / Blanziflor et Helena: Carmina Burana / Blanziflor et Helena: "Ave formosissima"Carl Orff, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal DorátiE Minor39A101 BPM
Myrthen, Op. 25: 24. Du bist wie eine Blume by Robert Schumann, Dietrich Fischer-Dieskau, Christoph EschenbachMyrthen, Op. 25: 24. Du bist wie eine BlumeRobert Schumann, Dietrich Fischer-Dieskau, Christoph EschenbachF♯ Major02B131 BPM
Die Fledermaus / Act I: Nr. 4 Terzett: Die Fledermaus / Act I: Nr. 4 Terzett: "So muss allein ich bleiben"Johann Strauss II, Julia Varady, Lucia Popp, Hermann Prey, Bavarian State Orchestra, Carlos KleiberC Major28B131 BPM
Addio del passato - Violetta by Giuseppe Verdi, Anna NetrebkoAddio del passato - ViolettaGiuseppe Verdi, Anna NetrebkoA Minor08A92 BPM
Symphony No.3 In C Minor, Op.78 Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegroCamille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James LevineF Minor24A117 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7335808277130127

End: 0.7380058765411377