"J. Strauss II: Casanova - Nuns' Chorus" by Utah Symphony Orchestra, Mormon Tabernacle Choir, Kiri Te Kanawa, Julius Rudel was released on 2004. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Kiri Te Kanawa's "Kiri -Her Greatest Hits" album is number 4 out of 29. J. Strauss II: Casanova - Nuns' Chorus is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of J. Strauss II: Casanova - Nuns' Chorus by Utah Symphony Orchestra, Mormon Tabernacle Choir, Kiri Te Kanawa, Julius Rudel to be Lento (slowly) because the track has a tempo of 60 BPM, a half-time of 30BPM, and a double-time of 120 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.9 in E minor, Op.95 "From the New World": 1. Adagio - Allegro molto | Antonín Dvořák, Cleveland Orchestra, Christoph von Dohnányi | E Minor | 2 | 9A | 130 BPM | ||
The Moldau (From Má Vlast), JB 1:112 - Version 1960 | Bedřich Smetana, Berliner Philharmoniker, Ferenc Fricsay | E Minor | 2 | 9A | 85 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 4. Finale (The Dargasson): Allegro | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E♭ Minor | 1 | 2A | 100 BPM | ||
Alexander Nevsky, Op. 78: No. 1, Russia Under the Mongolian Yoke | Sergei Prokofiev, Utah Symphony Orchestra, Thierry Fischer | C Minor | 0 | 5A | 62 BPM | ||
Soirees musicales, Op. 9: IV. Bolero | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | A♭ Minor | 0 | 1A | 201 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Old American Songs: VI. The Little Horses | Aaron Copland, Michael Tilson Thomas, Mormon Tabernacle Choir, Utah Symphony Orchestra | E Minor | 1 | 9A | 140 BPM | ||
La Grande Duchess de Gerolstein, Acte III (Tableau 2): No 19: Entracte et Galop | Jacques Offenbach, Felicity Lott, Sandrine Piau, Yann Beuron, Choeur des Musiciens du Louvre, Les Musiciens du Louvre, Grenoble, Marc Minkowski | D Major | 4 | 10B | 92 BPM | ||
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": IIb. Final Scene from Faust. Waldung, sie schwankt heran (Live) | Gustav Mahler, Utah Symphony Orchestra, Mormon Tabernacle Choir, The Madeleine Choir School Choristers, Orla Boylan, Celena Shafer, Amy Owens, Charlotte Helekant, Tamara Mumford, Barry Banks, Markus Werba, Jordan Bisch, Thierry Fischer | B♭ Minor | 0 | 3A | 133 BPM | ||
Symphony No. 8 in E-Flat Major, Pt. 1 "Veni Creator Spiritus": IV. Tempo Io [rehearsal no. 23] | Gustav Mahler, Maurice Abravanel, University of Utah Choruses, Utah Symphony Orchestra | D Major | 1 | 10B | 117 BPM |
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